South America: A New Look

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The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

A documentary that invites us to discover the strange path led by the explorer-ethnographer Marquis de Wavrin who, in the 1920s and 1930s, made ethnographic films in several countries of Latin America.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

El Dorado : où se trouve la mystérieuse cité d'or ?

A modern team of explorers venture to the legendary "Lost World"- the remote jungle plateau of Roraima in Venezuela. Cut off from time and the jungle below, feared by natives because of "evil spirits", flying reptiles and other beasts, Roraima has sparked human imagination since the time of the 19th century explorers. Sherlock Holmes author Sir Arthur Conan Doyle based his book "The Lost World" (1912) about men and dinosaurs on the tales from early explorers to this plateau. This was the inspiration for Jurassic Park. The modern expedition team encounters the animals, people and extreme habitat on its route across the Gran Sabana and up the 9000 ft. mountain. Once there they explore a new cave system, that may well contain new forms of life.

Landwirtschaft in Südamerika - Brasilien

Landwirtschaft in Südamerika - Argentinien

Landwirtschaft in Südamerika - Chile

The Color of Ultimate: ATL was an All-Star ultimate frisbee that showcased many of the sport’s most talented players of color from across the United States and Colombia, South America. This documentary details the stories of players who participated in the game. The stories include why the players enjoy ultimate, what the Color of Ultimate: ATL means to them, and how race and socioeconomic status have influenced their lives, both in the sport of ultimate, and in life at large.

Ten-year-old Sébastiana recounts the history and legends and explains the local customs of Andahuaylillas, Peru, a small village located high in the Andes. Their simpler way of life has persisted for over three centuries, undisturbed by modern society's technology and materialism.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Discusses the main geographical features of South America including the Andes, the Guiana and Brazilian highlands, and the Orinoco, Amazon and Plata-Parana river basins. Show the relationship of these geographic factors to the people and their ways of life.

The campaign ¡Yanquis Tapeho! (in Guarani, "Yankees go away," echoing the classic phrase "Yankees go home!") is a campaign of repudiation against the presence of US military troops in Paraguay and Latin America, launched by the Anti-Imperialist Platform Paraguay. This material is the first short video of this campaign. It includes information about the presence of troops in Paraguay, as well as images of the actions carried out by students, organized youth, and other popular sectors during the direct action of repudiation in front of the National Parliament (September 15, 2005) and the massive march through the center of the capital demanding the immediate withdrawal of US military personnel from Paraguay and Latin America (September 17, 2005).

CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?

Women workers stand up to the toxic flower industry in Colombia.

The film Terre Magellaniche represents the fruit of multiple and risky trips that the explorer Alberto M. De Agostini made in the Patagonian mountain range and in the Tierra del Fuego archipelago. Executed with rare mastery and exquisite artistic sense, the film shows the explorer in the labyrinth of Patagonian channels, penetrating the deep fjords between large masses of floating ice of curious shapes, coming from the immense glaciers that descend from the Cordillera and bathe its frontal walls on the waters of the sea. Transported to regions of extraordinary beauty, situated in front of gigantic mountains, from which majestic waterfalls rush, the viewer experiences the illusion of finding themselves in a mysterious kingdom of dream and enchantment.

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

1982 is not a year, it is a number. It is the number of massacres that occurred in Colombia. Using a Hollywood film from 1919 the film creates a portrait of distant and yet persistent individuals, an observation of the gesture that survives despite the blind light cast upon them by time, routine or indolence.