Encore

“La Fontaine d'Aréthuse” opens with what has been described as a “shimmering wash of sound in the piano, octave leaps in the left hand passing above and below repeated chords in the right,” a tune which apparently suggests the splashing waters of a fountain. The story “told” by the music involves a naked water goddess on the river shore, who is pursued by a hunter, before disappearing into thin air to join her water once again.

A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"

A ferocious, bullying music teacher teaches a dedicated student.

An animated visual interpretation of the song "Autobahn," by German electronic pioneers Kraftwerk. A fast-paced experimental film which proved to be a groundbreaking combination of electronic and manual animation. One of the first films produced specifically for video disk.

In the day three girls wander the idyllic St Kilda pier, basking in the rays of a sweet summer day.

In this extra scene from "Descendants: The Rise of Red," Bridget follows her dream of spreading love and joy to all through her dance, the "Shuffle of Love." Red and Chloe see how important the dance is to Bridget and offer to help perfect it in time to debut the dance at Merlin Academy’s biggest event, Castlecoming. In the euphoria of perfecting her dance for all to see, Bridget’s imagination runs wild, and her dance explodes beyond her wildest dreams… or so she thinks.

Life

"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

In a small village ruled by ridiculous laws, three singing sisters and their dog rehearse for the Annual Autumn Festival. But an unexpected event will disrupt their plans.

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

In this reflective short film, the Weeknd speaks to his younger self, encouraging him to ask questions about the future and remember the light before it's all gone.

A camera tracks through endless rooms while lives unfold.

Do Útero Ao Túmulo

Exploding Plastic Inevitable was a series of multimedia events organised by Andy Warhol between 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory. It is also the title of a 18-minute film by Ronald Nameth filmed during one week of the show in Chicago, Illinois in 1966.

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

A Vitaphone Varieties short. Features costumed children in a cavern-like land of make-believe where they sing and tap-dance. Marjorie Kane sings an introductory song. A very young Judy Garland, in one of her earliest surviving film appearances, performs the song "The Land of Let's Pretend" as part of the vaudeville act "The Gumm Sisters".

Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive

This short subject was done by Paul Whiteman's Rhythm boys shortly after they finished The King of Jazz where lead singer Bing Crosby made his motion picture debut. Shortly afterwards the trio broke up and Bing went solo and the rest was history. When a well-liked tailor is about to lose his story his daughter and a young singing group try to save it.

In this Oscar-winning short film, a Marine, Joe Fingers, on a South Sea island during World War II, tells tales of the influence he's had on various personalities. In the words of one of his buddies, he's either the biggest liar in the world or the most important man in show business.