Encore

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

For 25 years, Avron Coleman performed cello with the New York Philharmonic, as well as in numerous important string quartets. Retiring in 1997, this active, talkative, prolific, fascinating man still plays, and recounts tales of music and of his own life in music. The film contains lots of beautiful music by Schubert, Bach, Schumann, Brahms, and others.

"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.

In ancient Russian mythology Sirin is a bird with the head of a woman, a Slavic image of the Greek sirens. The ensemble of ancient Russian sacred music "Sirin" was created to revive ancient Orthodox singing traditions. It is an outstanding musical project performing folk sacred songs. The film tells about the unique work of musicians collecting half-forgotten melodies in the most remote corners of Russia.

A very unusual wedding unfolds in front of a woman.

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

In the kingdom of Florestan, a weak Prince Henry is ousted from power by his calculating cousin, Prince Basil. While exiled in Paris, Henry learns that the people are suffering under the tyranny of Basil's corrupt monarchy and decides to return to his homeland. Posing as the chauffeur of a traveling playboy--who is in reality Henry's manservant--he manages to make it across the border unmolested. But how will he be able to reclaim the throne?

The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.

A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.

Carlos Gardel and guitars performing "Añoranzas", vals written and composed by José María Aguilar.

On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.

A Super-8 short-film adaptation of S.E. Hinton's "The Outsiders" styled as a music video/silent-film -- director Juli Saragosa has a different take on greaser masculinity than did Francis Ford Coppola.

Spring Festival

Garfield, Jon and Odie go to Jon's family farm for Christmas, where Garfield finds a present for Grandma.

Concert film from The All-American Rejects an American rock band from Stillwater, Oklahoma, formed in 1999.

Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead.

A piano tuner happens to go to a children´s outdoor concert for business. There, he meets his first lover who he played the piano together with in his childhood.

Original animated film made for the International Chopin Year. The soundtrack consists of Fryderyk Chopin's music performed by Justyna Steczkowska, Tomasz Stańko and Michał Urbaniak. The author rejects the pompous, exalted, pathos-laden, obligatory admiration that paralyses the possibility of hearing Chopin's music in a fresh way.