An Old Bird Just Waiting To Die

Dan and Rhiannon Humes are filmmakers who craft their fans' dreams and fantasies into personalized, custom videos. The husband and wife team shoot the scripts their fans write and commission. Some are silly, some are sexual, and some are deeply personal experiences the fans want to recreate. Dan and Rhiannon's world is changed forever when they receive an unusual request they can’t refuse.

Former footballer Paul Merson sets out to understand why his life has been so blighted by gambling and asks if enough is being done to prevent others following in his footsteps.

In 1960 Jane Goodall set out for Tanzania's remote Gombe Stream Game Reserve to study the behavior of man's closest living relative, the chimpanzee. With dedication and perseverance she earned the trust of a wild chimp community, and gradually they revealed their individual personalities and the rich tapestry of their daily life. This program looks at two landmark decades of Jane Goodall's work, including her dramatic discovery of chimpanzees making and using tools.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An essay on memory that explores the vision of life and death in the Far East. Shot in five Asian countries over three years, it recounts the director's real experiences.

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

La SS : L'État barbare

The white chalk cliffs of Rügen are among the most impressive natural monuments on earth, which the painter Casper David Friedrich immortalized for posterity as early as the 19th century. Germany's largest island with its seaside resorts from the Gründerzeit, its smaller side islands and peninsulas that give it its shape, its lagoon-like Bodden waters, the dense beech forests, the yellow rapeseed fields and the meadows, the shady tree avenues and the white sandy beaches is not only a magnet for tourists, but also a unique natural paradise in the middle of the Baltic Sea, a habitat for the rare white-tailed eagle, fallow deer, raccoon dogs and badgers as well as a resting place for huge swarms of migratory birds such as geese and cranes that can be heard trumpeting from afar. In this nature documentary, the unique landscapes and the diversity of the animal world of Rügen are captured with beautiful pictures during the changing of the seasons.

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF

La Rivière

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.

Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.

This two-part visual essay features the son of director Don Siegel, Kristoffer Tabori, who reads from his father book A Siegel Film. The bulk of the content addresses the production history of Invasion of the Body Snatchers.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Thoughts on the Purpose of Friendship follows two friends and their effortless friendship. The subtle interplay and hidden expressions between them remind us, in our increasingly transaction-based society, of the true and simple foundations required to build a friendship.