Al pasar: Cartas desde el trópico

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

Fourteen-year-old Li Xing lives in a district full of ruins and reconstruction. School brings him nothing but problems and his family is no help at all. One day, he finds an underground shelter where strange things happen...

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

城市印象：深圳2

During the quarantine in 2020, the two friends Mariano Llinás and Matías Piñeiro sent each other video letters – 8 in total, 4 each of them – to create a compilation of ideas, thoughts and exchanges commissioned by Sergi Álvarez Riosalido for La Casa Encendida (Madrid). Llinás is in Argentina and Piñeiro is in New York, and they begin to order each other portraits of places, reflections on artists, ideas on cinema.

Story of six interwoven narratives in Mexico City, exploring the human condition against intermittent rain. With each encounter, the characters experience a moment of absurdity, brightness, or strangeness that reveals their true selves.

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

Helen suffers from a rare fear of chalk. One day she feels encroached by several chalk figures in Helsinki and decides to confront her fear. In the Amos Rex museum, she discovers the works of Keith Haring in a catalogue and adapts his style to her needs for catharsis.

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.

Memorial

The first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

城市印象：深圳

Hiroko attends the memorial service of her fiancé, Itsuki Fujii, who died in a mountain-climbing incident. Although Itsuki's mother says that their old house is gone, Hiroko records the address listed under his name in his yearbook and sends him a letter. Surprisingly, she receives a reply, and discovers it came from his old classmate, a girl who also happens to be called Itsuki Fujii.

After an exhausting day, Clarice, a young black woman, is robbed and then harassed by the police, mistakenly accusing her of doing graffiti. Dazed with a mix of feelings of anger, tiredness, and injustice, Clarice in fact starts tagging the walls and the impossible happens: all of the graffiti around her comes to life right beyond her eyes.

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

Thugs of Ramaghada

Beyond the sensationalized stories dominating the news, real people share their unfiltered experiences of life in San Francisco, a city far more complex and human than any headline can capture.

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

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