Lover-music lover

Tony was the exclusive photographer and video director for Ocean Colour Scene from Moseley Shoals to Marchin' Already, publishing his book 'Soul Driver' in 2014, releasing his feature documentary film 'SCENE' in 2017 and is currently launching his new coffee table 'book of the film' 'Behind the Scene' due for release in Summer 2022.

SKY ARTS presents Suede's Coming Up (released on Nude Records in 1996) in the Classic Albums series.

More than two decades after it left our screens, BBC Two’s iconic and much-loved music documentary series, Rock Family Trees, is back for a one-off special. The iconic music documentary series returns to examine the real story behind the birth of Britpop and how a handful of like-minded musicians, struggling to find an authentic voice, would pave the way for a revolution in British music. It is an intricately connected story of three of the biggest bands of the 1990s – Suede, Elastica and Blur – and how, for a brief moment in the middle of that decade, they changed British music forever, kickstarting a movement that still reverberates to this day.

Oasis playing two hits, in less than 10 minutes

On 10th and 11th August 1996, 250,000 young music fans converged on Knebworth Park to see Oasis play two record breaking, era defining shows. This version, included on the 'Oasis: Knebworth 1996' Blu-Ray/DVD, was shot on the 10th and was remastered in 2021.

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

Blur playing two hits, in less than 10 minutes

Through the entanglement of home movies, archival footage, and cinéma vérité, "Ghost Camera" captures 116 years of Toronto history to tell the tale of a documentarian's descent into artistic madness.

During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

After more than 15 years apart, Oasis reunites for the most anticipated comeback in rock history.

Henry runs the Britpop Conservation Society and no one else cares. This mockumentary shows how everyone is a bit obsessed with something, but some more than others.

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

Met Music Director Emeritus James Levine conducts Tony Award winner Julie Taymor’s production of Mozart’s masterpiece, Die Zauberflöte. Golda Schultz makes her Met debut as Pamina with Kathryn Lewek as the Queen of the Night. The holiday presentation of The Magic Flute, an abridged staging sung in English for families, was the first Live in HD performance to be transmitted. This is the first time the full-length German opera will be seen in the series.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.

Two men enter a bet with intriguer Alfonso that their women will stay true, but disguise themselves, switch partners, and regretfully seduce their targets.