I DO feel like dancing

Les Mots gelés

An artist, Joseph Cornell, immerses himself in the music of Debussy as he makes his art, watching his creation slowly come alive.

Inspired by the collaborative practice of composer John Cage and choreographer Merce Cunningham, composer Joan La Barbara and filmmaker Aleksandar Kostic created an event in which the film and music were conceived independently, allowing the two works to meet for the first time in performance.

The monotony of college life traps Murphey into disillusionment and apathy. She can't feel anything and can't figure out why until a phone call with her mother reminds her that there is life beyond school and that happiness is possible even when it has never felt further away.

Street performer Paul Cooper has an unlikely ally in his ongoing battle with anxiety and depression - his robot, Tubby.

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

Ordinary people of both sexes, and of varying ages, races and ethnicities, tell stories that sound familiar. But each is a construct to plumb reality in a considered, theoretical, and, ultimately, playful fashion, as Delson continues the filmic experimentation begun during her collaboration with Jill Godmilow an the genre-bending Far from Poland.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.

An intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

A deadpan young man obsessed with death meets an eccentric septuagenarian who teaches him to live life to the fullest.

The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a devastating secret that turns the night into a battle of truth and denial.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Shot in black and white, Invisible merges performance art and personal documentary to reflect personal and shared experiences during the military coup. Set in an abandoned building where many young revolutionists sought refuge, the seemingly invisible experiences of displacement, loss, suffering and anger are made visible through words and subtle movements.

Informed by Taoist notions on the flow of nature, Freedom of Clouds is an experimental audiovisual poem composed of two visual languages which shift in tandem with the sonic landscape. The first involves abstract audio-reactive particles imitating the movement of dust, while the second is composed of Myanmar’s urban scenes which blur and morph as the piece moves away from form and definition.

Set against an operatic soundscape, period@period is a sensual interplay of sound and image that focuses on the anonymous protagonist’s monthly period and the rituals associated with it.