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Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.

Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.

In 1879, during the Anglo-Zulu War, man-of-the-people Lt. Chard and snooty Lt. Bromhead are in charge of defending the isolated and vastly outnumbered Natal outpost of Rorke's Drift from tribal hordes.

After a bomb kills their company commander in Iraq, British soldiers Treacle and Shane are ordered to round up suspects and use torture on the detainees. Back home, the press gets the story and the pair achieves instant infamy.

Sergeant Michael Dunne fights in the 10th Battalion, AKA The "Fighting Tenth" with the 1st Canadian Division and participated in all major Canadian battles of the war, and set the record for highest number of individual bravery awards for a single battle

Přehlídka

Joint montage of the first three silent films about Švejk: Good Soldier Švejk (1926, director: Karel Lamač), Švejk on the Front (1926, director Karel Lamač) and Švejk in Russian Captivity (1926, director: Svatopluk Innemann, model Karel Vaněk). The lead role was played by Karel Noll, who was very popular at the time. The last silent sequel Švejk v civilu (1927) exists independently, but the copy of the film is badly damaged.

Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.

A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.

The fascinating history of the U.S. Air Force comes to life via vintage footage culled from official Air Force newsreels that were created to educate the public during wartime. Formed in World War I as a tiny airborne offshoot of the Army's American Expeditionary Force, the division subsequently grew into its own armed services branch and became the largest modern air force in the world.

The adventures of the Lafayette Escadrille, young Americans who volunteered for the French military before the U.S. entered World War I, and became the country's first fighter pilots.

In times of World War I, a group of boisterous young ladies occurs to them that they could help the boys of the front writing letters to them and, thus, becoming their godmothers of war. Madeleine writes to the soldier Jacques Bertin, but, out of prudence, instead of giving her true identity, she impersonates her late grandmother. When the soldier comes on leave and wants to see her, the mistake will bring humorous consequences.

Denise lives with her grandparents on a farm and secretly meets Robert. When she tells her grandparents that she wants to marry Robert, they refuse outright, so the two lovers will have no choice but to elope and marry in the nearby town. On the eve of having a child, war breaks out and Robert is mobilized.

In the final days of the One Year War, a Zeon special forces group infiltrates a colony to gather information on a new Gundam unit. Alfred Izuruha, a 10-year-old student, befriends Zeon rookie pilot Bernie Wiseman during a brief mobile suit combat. Meanwhile, Al meets up with Christina MacKenzie, his former neighbor and babysitter. Little does he know that not only is Christina a member of the Earth Federation, she's the test pilot of the new Gundam NT-4 prototype.

A hard-nosed, hard-living Marine gunnery sergeant clashes with his superiors and his ex-wife as he takes command of a spoiled recon platoon with a bad attitude.

U.S. Army Captain Clark Allen gains attention by walking back and forth, the length of Japan, gambling with U.S. servicemen in order to raise funds to rebuild an orphanage. Suspicious of Allen's motives, a Japanese newsman, Hiroshi Kitabayashi, traces the American's background until he discovers the motive behind Allen's long walk.

Neil Oliver describes the worst ever railway accident in the UK, which happened a hundred years ago on 22 May 1915, in which three trains collided at Quintinshill near Gretna Green. One of the trains was a troop train taking soldiers to fight in World War I at the Battle of Gallipoli: many of the dead were in this train which caught fire due to escaped gas from the archaic gas lighting in the carriages. The cause of the crash was attributed to a catastrophic signalman's error, but Neil examines whether there were other contributory factors and whether there was a cover-up to prevent investigation of them, making convenient scapegoats of the signalmen.