Parisian Pedallers

From the West Midlands to West Africa: tour the Phillips bicycle plant in Smethwick and see the products in action overseas.

Internationally acclaimed filmmaker Evan Schmitt is back with his third film about bicycle racing. Set in the year 2008, Schmitt takes you on a journey to meet the people and places in these unique sporting events; three different races in 3 different worlds. The Cascade Classic, The FSA Grand Prix and the Single Speed Cyclocross World Championships. Follow behind Tour de France stage winner Levi Leipheimer in a time trial, talk to Olympic and world champion Kristin Armstrong and more! Shot in digital video in the actual locations around the world.

The new cycling documentary, in full length.

The racing bicycle documentary in feature-length.

Dastardly deeds are afoot when rivals for the hand of a young woman vie against each other in a bicycle race.

An independent feature documentary about the over 23 million Americans living in long-term recovery from alcohol and other drug addictions.

An experimental narrative about machismo in the Northeast of Brazil.

Mama Don't Like No Guitarpickers 'Round Here

Stand takes viewers on a journey through the waters of British Columbia's west coast. Under threat by the proposed Enbridge Northern Gateway pipeline and tanker route is a coastline of immense beauty, pristine ecosystems, and a way of life rich in culture and history. Through the efforts of expedition stand-up paddler Norm Hann, an aboriginal high school class building their own stand-up paddleboards as a form of protest, and the powerful surfing of iconic west coast native Raph Bruhwiler, the diversity of people, landscape and wildlife that would be affected by an oil spill is articulated. Stand takes you to the core of the issue and unfurls the soul of B.C.'s west coast one paddle stroke at a time.

The film is a portrait of Yorgos Tzinoudis, a painter of pop art. We begin at his car and go on to the covers of Soul magazine, his refrigerator, his paintings... A restless spirit, he tries to capture in his paintings human alienation and oppression, the stress of the city which none of us are immune to. His paintings are “weird”; skulls and cockroaches, but also a playing card are his favourite themes, through which he satirizes reality in an allusive way. The film follows him at work, at the Wine Museum at the Gerovassiliou vineyard, at his house/studio, or as he wanders around the city. His friends and colleagues talk about him, until finally we let him take off again, far from Thessaloniki, on new journeys of the mind and soul. (The film is an episode of the documentary series Portraits of Tomorrow.)

Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.

Eight portraits, eight dreams, eight escapes

It all began on a couch. He watched her undress and they made love for the first time.

The film is a portrait of Yorgos Tzinoudis, a painter of pop art. We begin at his car and go on to the covers of Soul magazine, his refrigerator, his paintings... A restless spirit, he tries to capture in his paintings human alienation and oppression, the stress of the city which none of us are immune to. His paintings are “weird”; skulls and cockroaches, but also a playing card are his favourite themes, through which he satirizes reality in an allusive way. The film follows him at work, at the Wine Museum at the Gerovassiliou vineyard, at his house/studio, or as he wanders around the city. His friends and colleagues talk about him, until finally we let him take off again, far from Thessaloniki, on new journeys of the mind and soul.

You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.

A Russian boy gets a heart transplant in Italy. A lot of people were by his side on his long journey full of hardships, except for his mother.

Merging the subjective and the objective, the autobiographical and the anthropological, The Laughing Alligator is a highly personal observation of an indigenous South American culture. Recorded while he and his family were living among the Yanomami of Venezuela, this compelling work distills Downey's search for his own cultural identity and heritage through the encounter between the Western family and the so-called "primitive" tribe. Challenging the anthropological view of the Yanomami as violent cannibals, Downey focuses on the tribe's myths, rituals and ceremonies, documenting funerary rites in which tribal members eat the pulverized ashes of their dead to insure their immortality. Subverting conventional modes of ethnographic documentary, Downey participates as an active presence, "shooting" with his video camera as a means of creating an interactive dialogue between artist and subject and addressing his own "yearning for a purer existence."

In 1979 and 1980, workers in São Paulo’s metallurgical industry organized a series of strikes that changed the face of union politics in Brazil. In the process, they established the groundwork for Brazil’s Worker’s Party and brought to the national spotlight union leader Luís Inácio Lula da Silva. Metalworkers is a feature-length documentary about the stories of 21 of these workers who took part in these historic strikes but remain in relative anonymity today.

A video piece documenting the reenactment of the John F. Kennedy assassination in Dealey Plaza in a collaboration between two San Francisco-based artist collectives: T.R. Uthco (Diane Andrews Hall, Doug Hall, Jody Procter) and Ant Farm (Chip Lord, Doug Michels, Curtis Schreier). The artists taking on the roles of Kennedy, Jackie, and others rehearsed extensively to ensure verisimilitude, and when they performed the reenactment, it was executed with a striking attention to detail. While part of the video shows the artists playing on America's obsession with the media (T. R. Uthco's Jody Procter in his role as a secret service agent tells a camera, "We've always been worried about Dallas--it's a rough city, a gun city"), ultimately the video shows that the sacred images of the assassination cannot be mocked. This piece can be seen as a commentary on the pervasive media culture in America, as it explores how the Kennedy assassination itself became a new type of media event.

A nonfiction fairytale about love, death, art and the letting go.