A look back at the life and career of Japanese guitarist hide, who died under questionable circumstances in 1998.
X Japan - HIDE Memorial Summit
X Japan - World Tour Asia - Hong Kong
X Japan Live 2017 At The Wembley Arena
X Japan - On the verge of destruction
live broadcast x japan japan tour 2015 in nagoya
X Japan's very last live concert on December 31, 1997 at Tokyo Dome. The show was important in two ways, since it marked the end of a band but it became the starting point for some outstanding solo careers.
X Japan - 青い夜
X Japan - 白い夜
As glam rock's most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late '80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.
X Japan: Art of Life 1993.12.31 Tokyo Dome
DVD edition of "DAHLIA TOUR FINAL 1996" filmed on December 31, 1996 at Tokyo Dome, originally released on video in 1997. A 2-disc set. On Vocal - Toshi On Bass - Heath On Guitar - Pata On Guitar - Hide On Drums & Piano - Yoshiki
X Japan Returns 1993.12.31 is an X Japan live DVD, released on February 29, 2008. It contains the band's performance at the Tokyo Dome on December 31, 1993.
On May 2, 1998, Hide, a leading Japanese rock musician who had been active as a guitarist for X JAPAN and as a solo artist (hide with Spread Beaver/zilch), suddenly passed away. His funeral was attended by about 50,000 people and became a social phenomenon as all of Japan wept at his untimely farewell. His younger brother, Hiroshi Matsumoto, who was Hide's manager, started to work with Hide's co-producer I.N.A., who had been working on a song with Hide, and his friends to make his brother's will come true. Yuji and I.N.A. struggle under the unusual circumstance that Hide himself is not present, but they are confronted with various difficulties.
A documentary about Squallor, Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.
This documentary explores the partnership between the prolific singer-songwriter and pioneering rock band — and their historic 1979 Genoa concert.
The tale of a quick-witted fox and her escape from confinement for a life in the forest.
Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!
At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.
Live in London is a live concert recording of George Michael's final two concerts in London's Earl's Court arena on 24th and 25th August 2008 as part of his 25 Live tour. It features a career-spanning set that includes Wham! classics and his solo hits. This is the first live DVD of George Michael's career.