Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
Pohádka o Honzovi
Matthew Bourne's Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare's classic love story. Bursting with youth, vitality and Matthew Bourne's trademark storytelling.
The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.
Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.
Classic production of the world’s most-famous ballet, the one that dance audiences long for – Tchaikovsky’s Swan Lake. First performed in St.Petersburg in 1895, Swan Lake with its unrivalled “white acts”, its spectacular and dramatic Ballroom scene, sublime music and deeply moving story, is the ballet that towers above all others. Filmed on the 2nd of April 2006 at the South African State Theatre - Pretoria during the first ever St. Petersburg Ballet Theatre tour. This is the world’s favourite ballet, Tchaikovsky’s complete Swan Lake performed with the Johannesburg Festival orchestra; by the best touring ballet company in the world.
No ballet better epitomizes romance than Giselle, also known for its rich melody. This ballet explores the traditional theme of love triumphing over death. Bursting with freshness, spontaneity and emotion, the musical core for Giselle remains one of ballet music’s greatest successes. The Saint Petersburg Ballet Theatre remains faithful to the version of this ballet that is at once the closest to the original and the most romantic. Live SPBT`s performance 'Giselle' was filmed on 16th March 2007 on the spacious stage of the State Theatre in Pretoria during the second SPBT`s tour of South Africa. Giselle was created in 1841 at the Royal Academy of Music, now the Opéra National de Paris.
William Shakespeare's tragedy about the feuding Montagues and Capulets, whose children find each other and overcome the deep-seated hatred, has inspired countless artists. John Cranko also took up this timeless material in 1962 and created one of his most popular ballets. Sergei Prokofiev's descriptive music - in combination with Jürgen Rose's opulent sets and costumes – forms the perfect back drop which allows the scenes to unfold just as if they had sprung directly from an Italian Renaissance painting.
Nutcracker Sweeties is Billy Strayhorn and Duke Ellington’s big band take on the Tchaikovsky classic—The Nutcracker as you've never seen or heard it before! It portrays Broadway and America in the 1940s: full of humor, irony, commentary, swing, and blues. The cast, dressed in an array of glamorous Jasper Conran costumes, includes pom-pom girls, drum majorettes, sailors, GIs and Candy Kane. David Bintley’s choreography is a catwalk of jazz styles. With its eye-catching clothes and flashing neon sets, Nutcracker Sweeties is imaginative, funny and visually irresistible.
Product Description ••••• A complete 1978 performance of this classic ballet stars the magnificent Nadezhda Pavlova and Vyacheslav Gordeev; the Bolshoi Theatre Orchestra is conducted by Alexander Kopilov. DVD Bonus: Scenes from Don Quixote filmed at the Bolshoi in 1964 and starring the legendary dancers Maya Plisetskaya and Maris Liepa; Bolshoi Orchestra conducted by Youri Fayer.
Lo Schiaccianoci al Teatro alla Scala
In 1931 Shostakovich wrote a full-length score for the Leningrad Music Hall, for a show that involved many of the leading entertainers of the day, as well as dancing girls, a jazz band, a dancing dog, sequences of silent film, simulated air-raids and gas attacks, a lorry, a storm, waiters and waitresses in a luxury restaurant, river nymphs and even a scene in Heaven with the Devil, the Twelve Apostles, the Archangel Gabriel and all the other angels doing a blasphemous knees-up. The show was naturally a momentary scandal and the score soon disappeared. In 1991 Gerard McBurney reconstructed from the surviving sketches a sequence of 21 of the orchestral numbers to make a hilarious sequence of gallops, saucy polkas, marches and schmoozy waltzes.
George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.
A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.
Mauro Bigonzetti's ballet based on Franz Kafka, performed by the National Theatre Ballet. Choreographer Mauro Bigonzetti, fascinated by the irresistible language of Prague native Franz Kafka and the enduring relevance of his novel "The Trial," was drawn into the dark world of Josef K and created a modern dance production depicting the world of the protagonist and his hopeless struggle with a cold and heartless modern society. Bigonzatti used music by a number of composers from different historical periods, from D. Buxtehude to H. Górecki, C. Monteverdi, and M. P. Mussorgsky. This selection is remarkably balanced and surprisingly contemporary.
It is a story in which the young heroine, dying from a broken heart, mysteriously hears the call of ghosts tempting her to join their round dance, and having become one of them she saves the lover who betrayed her.
Marcos Morau : La Belle au bois dormant
"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.
Live from the Bolshoi Theatre, this 1978 remake of the two-act classical Christmas ballet blends Tchaikovsky's beloved melodies with superb dancing. Famed Bolshoi duo Yekaterina Maximova and Vladimir Vasiliev star in this production of Tchaikovsky's beloved ballet, The Nutcracker. Maximova dances the role of Maria, the young girl whose mysterious uncle Drosselmeyer gives her a wooden nutcracker (Vasiliev) for Christmas. When he comes to life, she rescues him from marauding mice and is taken to the Kingdom of Sweets.
When everyone in town falls under the spell of charismatic cosmetic surgeon Doctor Coppelius, feisty Swan must act to save her sweetheart Franz, before his heart is used to spark life into Coppelia – the ‘perfect’ robot-woman the Doctor has created.