Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Two playwrights and a former burlesque queen travel to Louisiana to research a musical they're planning on a local Southern hero.
The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
Matthew Bourne choreographs this performance of Tchaikovsky's ballet, filmed live in London. The show, the longest running ballet on both Broadway and the West End, follows the story of Prince Siegfried, who promises his love to swan maiden Odette, only to be tricked by magician Von Rothbart. The stars include Richard Winsor, Dominic North, Nina Goldman, Madelaine Brennan, Steve Kirkham and Joseph Vaughan.
Christopher Wheeldon's acclaimed new Cinderella for the Dutch National Ballet is an imaginative interpretation of a much-loved classic. Inspired by the original Brothers Grimm fairy tale, Wheeldon gives the characters renewed depth and complexity, complementing Prokofiev's celebrated and colorful score. With sets and costumes by the renowned designer Julian Crouch, supported by stunning stage effects, this world premiere production is a truly magical experience, bringing an age-old fairy tale into the 21st century.
The story of Don Quixote tells of the old knight who dreams of chivalry and his comic squire, Sancho Panza. This performance by the Kirov has been hailed as one of the greatest large cast ballet productions ever recorded on film. The tremendous resources of the Kirov Ballet flash and dash through the four acts of joyous Petipa and Gorsky choreography making Don Quixote a thrilling visual treat. This delightful spectacle features the great Soviet dancers Tatyana Terekhova and Farouk Ruzimatov as the lovers Kitri and Basilio. Don Quixote is performed by Kirov star Vladimir Ponomaryov. Filmed live at the Kirov Theatre in Leningrad.
A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.
Film-ballet written by composer Pyotr Ilyich Tchaikovsky. The authors of the movie tell the story of the ballet's creation, as well as about various stage productions with the participation of outstanding performers of the role of Odette-Odile. The movie includes fragments of the ballet staged by choreographers Marius Petipa and Lev Ivanov.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
The childless royal couple expected a child for many years. They have got a real monster after the birth of their daughter. The young princess made life in the castle unbearable. The bullying of the governess, who turned out to be an evil sorceress, turned into a curse for the whole family. Fortunately, the kind fairy turned the curse into a test of strength and gave the young princess a groom and eternal love.
The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
In 1920s Vienna, a young girl receives a magical doll on Christmas Eve.