乃木坂46「7th YEAR BIRTHDAY LIVE」

乃木坂46 真夏の全国ツアー2017 FINAL! IN TOKYO DOME

乃木坂46「5th YEAR BIRTHDAY LIVE」

Nogizaka46「11th YEAR BIRTHDAY LIVE」

乃木坂46「6th YEAR BIRTHDAY LIVE」

乃木坂46 Live In Hong Kong

乃木坂46 ALL MV COLLECTION 2 〜あの時の彼女たち〜

乃木坂46 ALL MV COLLECTION～あの時の彼女たち～

乃木坂46 8th YEAR BIRTHDAY LIVE 2020.2.21～2.24 NAGOYA DOME

A group of strangers come together to work on creating the greatest anime series ever.

The second documentary for Nogizaka46.

Asahi Tojima (Nanase Nishino) is a first grade high school student. She is small and weak physically. Asahi Tojima decides to change herself. She enrolls in the naginata (Japanese blade) club at her school. She works hard with the other club members and targets the national competition.

Nobuhiro Yamashita shoots the adaption of the City Lights manga by Hiroyuki Ohashi with three members of the Nogizaka46 idol pop band. The story is told on three levels: Documentary-style on-set where we see the film being made and the idols struggling with their roles, the resulting movie which revolves around three girls in a psychic research club discovering a classmate with super powers who turns out to be an alien and a stage adaptation of the film with the same characters.

A documentary about Japanese idol group Nogizaka46. "A method to forget sadness" will show how the Nogizaka46's members were, how they really felt, and how they strived while facing the cruel world of showbiz. How were their lives off the screen? Well, find out by yourself.

A documentary about Squallor, Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.

This documentary explores the partnership between the prolific singer-songwriter and pioneering rock band — and their historic 1979 Genoa concert.

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

Live in London is a live concert recording of George Michael's final two concerts in London's Earl's Court arena on 24th and 25th August 2008 as part of his 25 Live tour. It features a career-spanning set that includes Wham! classics and his solo hits. This is the first live DVD of George Michael's career.

Lou Reed — once the androgynous rock poet of the Velvet Underground, then a godfather of punk, now a weathered icon of courage and adventurousness in American music — in two astonishing live concerts, one from New York's fabled Bottom Line in 1983, one from the 2004 Benicassim Festival in Spain. With selections deftly mixed and matched for maximum effect, these two concerts allow us to time-travel between key phases of an amazing career, as Reed reinvents classic songs from his Velvets and early solo period and presents adventurous new work — always with the unmistakable droning, dissonance, and literary intelligence that are part and parcel of the Lou Reed approach to rock and roll, and to his adventures in post-classical minimalism and even free jazz, all key to his unique sensibility.