My Friend Haden

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Harley Russell, 73, lives only on the tips he receives at his wacky store at Erick (Oklahoma) with his Mediocre Music Maker show. Ángel Delgadillo, 91, the last barber of Seligman (Arizona), continues shaving drivers who go out of the interstate highway to visit his town. Lowell Davis, more than 80, is the first inhabitant of Red Oak II (Missouri), a ghost town which he rebuilt through the restoration of its old houses. Three stories of perseverance and overcoming in what was once the road that connected the United States from East to West. Three survivors that managed to save the most well-known route in America.

In 1980s Brooklyn, a resilient family, evicted from public housing, refuses to succumb to homelessness or welfare. Instead, they construct their own home-one scrap of discarded wood at a time.

Documentary about Japanese film director Shohei Imamura.

Timothy Connor died during a spring break weekend in 1967, the victim of a car accident. 56 years later, his soul finally arrives at the pier. Signals is a poetic meditation on time, memory, and the persistence of desire. A journey between dimensions, where the fantastic intertwines with the intimate.

This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

The Purdue men's basketball team enjoyed a record-breaking season in 2023-24, reaching the National Championship game and winning a school-record 34 games. This is its story of its journey to Phoenix.

Cinéastes de notre temps : Norman McLaren

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Goodbye Ringo

A meditation on memory around Iceland's famous Ring Road.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

"A young filmmaker studying at the Alexandria Higher Institute of Cinema (AHIC) struggles with an internal conflict; torn between his deep loyalty to his hometown of Alexandria and his burning desire to immerse himself in the vibrant film scene of Cairo, the bustling capital. He discusses the matter with a fellow AHIC student, where they share their thoughts and questions about the meaning of success and their personal aspirations. This shared exploration becomes a search for a guiding light, a clue that reveals whether their chosen paths will lead them to their desired futures.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.