The Slightest Idea

In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

After discovering a rumor has been spread about her, Pernille agrees to confront the girl suspected to be behind it at a party, but the situation quickly escalates and Pernille feels pressured into actions that cannot be undone.

A father tries to rekindle his relationship with his son after years of absence and lack of communication. He takes him on a car ride across northern Norway, hoping it is not too late.

Hiraeth is a short film about youth long gone, about growing up, about looking at old photos and not recognizing the person within. It’s about the sacrifices we make, the past selves we kill, to move forward, to survive.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

A deadpan young man obsessed with death meets an eccentric septuagenarian who teaches him to live life to the fullest.

A teenager fails to find (and keep) jobs which makes his father doubt the reason might be the boy's lack of sexual experience. As all his efforts prove to be unsuccessful, the father gives up, but not the boy's aunt.

Men still have a privileged position. Yet the concept of a “crisis of masculinity” is increasingly permeating the media, with a loosening of roles and a growing uncertainty about what it means to be a man today. The director Jan Hušek also asks this question. He was still wetting himself by the age of thirteen, which earned him the unflattering nickname that is the film's title. In his open video diary, he captures the physical and spiritual transformation of his journey from boy to man. He returns to the woods and the roots of his childhood trauma. In doing so, he turns the camera on himself as well as on various teachers or his father. Perhaps the mark of adulthood, after all, is not overwrought masculinity, but the acceptance of his inner “pisspants”.

Genova, Italy. Francesco, Luca and Raffaele are almost thirty years old and have a baggage of anxieties that they try to drown in alcohol and late-night outings.

Film set in a remote mountainous area where work and living conditions are harsh.

Pau and Alex are two young friends who risk their friendship because of their constant competition. They not only threaten their friendship, but they also risk their lives aboard Pau's parents car. Rules are simple: "Count aloud and close your eyes while you drive."

The Ysbreeker family -- mother Jolien, father Frank, daughter Roos and son Teun -- are enjoying their annual holiday on a camping site in France. Teun is at the beginning of his puberty and can't quite control his hormones. Roos, a teen girl in the middle of her puberty, is more interested in her first camping love than in her own family. Teun notices that his sister is becoming a woman, in all different ways. How does he react? Does it have any influence on the brother-sister relationship?

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.