A Fishing Party With the Maharajah of Kapurthala, India

Short film about fishing

A local fisherwoman navigates her way through a male dominated environment to work in an industry that has been essential to island life for hundreds of years.

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.

I have returned to the island were I grew up. My dad has spent thirty years alone at sea fishing lobster. He was taught the trade by his dad, who learnt from his dad. A heritage pasted down from father to son. My father never got a son, only daughters and since I was a girl no one assumed I was interested. After I turned eighteen I left Sweden and moved to Australia. After a decade abroad I started to long for home. I return to the island to see if I have it in me, can I learn the things I was never taught as a child? Will the legacy fade with me or can I become the family's next lobster fisherman? /Karolin Axelsson

A travel documentary following writer Sigfrid Siwertz and photographer Gustaf Boge's trip to Sumatra.

Roving foodies Angela May and Bobby Chinn embark on two culinary journeys across Asia. Angela travels to the western coast of India to sample the cuisine and culture of the thriving melting pot that is Goa. Meanwhile, Bobby travels to Manila where he discovers a passionate and humorous people, and their love of food.

Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.

In the last week of May, the whole of India prays for the onset of the monsoon. Without its life-giving rains, the nation would become a land of dry wells and deserts. Writer Alexander Frater awaits the 'burst' at the southernmost tip of India, then travels with it on its dramatic journey north, witnessing the monsoon's towering influence on every aspect of Indian life.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

The Heroes of the Massacre River is a powerful documentary that chronicles the stories of the pioneers behind the construction of the historic Canal of Ouanaminthe, a project that united Haitians across the nation and the diaspora. This film celebrates the groundbreaking efforts of key figures, centering on Dr. Bertrhude Albert, Dr. Naismy-Mary Fleurant, architect Wideline Pierre, economist Etzer Emile as well as dedicated canal workers Milourie Sylfrard, Theodore Johnson and Joseph Pressoir — all guided by the investigative journey of Max Angie Clervil. It also serves as a commentary on the complexity of colonialism and borders, tracing the role that the Massacre River continues to play in the history of Ayiti.

Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Une ambition politique

The Moroccan Labyrinth

This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.

This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.