In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.
Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.
Two young strangers meet in Naples and begin to flirt and dance in the street.
Questione di DANZA
21 Gun Salute
The film invites you to hold your breath and let yourself be transported and transformed by water in the company of curious individuals. At nightfall, they take over a public swimming pool. These bodies of water, immersed in the aquatic mass, transgress the limits of their natural environment and undergo a metamorphosis. They then engage in a contemporary dance that reveals them in a different light. The aquatic environment makes them supple and light, but also vulnerable and combative. This poetic, enveloping, and suffocating mass unites them, separates them, and constitutes them. The film explores the transformation of human bodies when they interact with water—a fluid and adaptable medium that simultaneously offers resistance. It plunges you underwater for an immersive experience that reveals a rare and otherwise inaccessible contemporary dance.
Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?
A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.
A short film about the the story of a young woman,Desiree, reflecting on the betrayal of her significant other and her struggle through forgiveness, healing, and restoration in their relationship.
As the only flower Yağmur has on her balcony, a peace lily starts to fade away, her friend tells Yağmur an old myth: Peace lilies cannot blossom when they are alone. Yağmur and the flower start to share the same path when they both blossom out of their loneliness.
An abstracted film to contribute to the fight against racism. As an immigrant, I have experienced it first hand. This film showcases the beauty and richness of humanity. Nine cultures unite to make art. The dancers will tell you what brings humanity together. We must come together.
On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.
In 1832, a Canadian infantryman at Fort York was hanged for making love with another man. The victim's rank was private and his name was Flowers. Private Flowers is a new multimedia installation and film that explores a dark chapter of Canadian 2SLGBTQ+ history.
Collaborations between Darcy Wallace & NIPS (Nuns in Paradise).
At Tutu Academy, where tutus are the uniform, students of all characters (geeks to goths) express themselves through ballet—and bizarro hair. One odd day, a UFO lands and an alien enters the classroom. Eager to connect with the visitor who doesn’t speak earthly language, the teacher starts a dance conversation—followed by the entire class. At first, the alien struggles to learn the artful language, until he’s gifted a magical tutu. With fresh confidence, the green-hued stranger joyfully joins the dancing crew. But just as the bond deepens, the alien must return to his homeland. With bittersweet farewells, the UFO departs—donning a tutu too. On his planet, a stark contrast to Tutu Academy’s vibrant vibe, the alien proudly presents tutus to his commanders, where they dance in celebration of the newfound connection with Earth.
OFFERING creates a meaningful and joyful convergence between the Migration Dance Film Project’s body percussion artists and emerging artists from dance (gigue, contemporary, street) and circus arts. The choreography uses the power of procession in Montreal’s urban borough of Little Burgundy to amplify its storyline of (re)imagined homescape in the era of mid-pandemic. The procession formed by movement artists from across communities weaves its way through urban corridors, neighbourhoods, green spaces — an uncoiled assemblage of nomadic storytellers anchored in the intimate knowledge of individual and shared experiences in unison. OFFERING imbues movement in stillness within our city and takes refuge in its powerful migratory patterns traced across our urbanscape.
An old factory, a giant of iron and concrete, bears the scars of time. Its empty spaces whisper the silence of a vanished era. A man appears, at first motionless and surrounded by shadows. He begins to dance, seeking light, sun and freedom. The rhythm of the drums accompanies him, exploding in the final phase.
Dramatization of the trial of Christian anti-war activists, known collectively as the "Plowshares Eight". In September 1980, they broke into a General Electric weapons plant in King of Prussia, Pennsylvania, and in an act of protest against nuclear proliferation, poured vials of their own blood onto secret missile plans, burned other files, and damaged nosecones intended for nuclear missiles. The direct-to-video production is intercut with clips from actual news coverage of the trial. The "Plowshares Eight" portray themselves in the production, and after taping was complete, reported to court for their imprisonment.
Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.
Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.