Just another normal day, like any other in the last few years.
Ilraan walks from one place to another, hoping something will make sense. It never does. The ruins stay ruins. The forests stay quiet. The shores keep their distance. Each place gives him less than the one before. He does not find peace. He finds more questions. And the more he looks, the less the world explains itself. It just keeps showing him his own unease. Somewhere in all of that, he stops believing the world has any shape worth trusting.
Montu, an unemployed middle-class bachelor falls in love with Sarasi, a teacher. He tries hard to impress Sarasi but she dislikes his unstable lifestyle and rejects him. Will the two unite?
A family travels by plane that ends up landing on an island, and one of them works there because of his ability to work, and the governor of the island and one of the family's daughters exchanges love.
Al Mandoubain (المندوبان) is a classic 1934 Egyptian comedy film. Directed and written by the pioneer Togo Mizrahi, the film follows the comedic misadventures of Shalom and his friend as they desperately search for money and romance.
The man without memory is looking for himself. He finds a woman in love, a child and a dead man.
Dr. Hamed decides to marry Ehsan. Ehsan travels with her parents to Hamed's town. Her mother is fed up with Hamed's family and opposes Ehsan's marriage to Hamed because they are below their level. Ehsan decides to run away and marry him, but he refuses. Dr. Hamed settles in his town. His sick mother needs a blood transfusion and her blood type matches Ehsan's. She is saved.
A young man with a talent for singing cannot find his way in it. He finds work as a driver for a pasha, and by chance discovers that this pasha is trying to steal the money of his niece, who is the guardian of her property. He decides to reveal this theft to the girl he has already begun to love. She lies to him and distances herself from him, but with time she discovers that her uncle is actually stealing from her and is trying to marry her to his son in order to seize everything. She returns once again, regretting it, to her lover.
Foulad Bek, a wealthy reactionary who loves breeding horses, is coveted by his secretary Sami for his money. He tries to marry his sister Nana to Hassan, Foulad's heir. Hassan loves art and works in a circus with his friend Rashid. He loves Basbas, the daughter of the circus owner Bahlool. His father sends him to Cairo for Eid, but he refuses. Foulad instructs Nana to make Hassan fall in love with her.
A worker sees his friend's wife, admires her, and tries to seduce her, but she rejects him. He is not convinced, but he shows this to the wife. His hatred for the husband and desire for revenge on the wife drive him to plot to make the husband fall into the clutches of cocaine addiction. The husband begins to collapse, and then the whole family collapses, but the addicted husband does not stop until he reaches the point of killing his son.
Set in an apartment building whose occupants include Arthur Earthleigh, a meek and mild type married to the beautiful-but-domineering Mae; a Bohemian artist, David Galleo and his always-there model, Deborah Tyler; and Olive Jensen, a Greenwich Village type who is always slightly-but-continuously inebriated, and whose motto is "love and let love." She calls on George while his wife is out, and when she passes out during his attempts to get her out before his wife returns, he thinks she is dead and deposits her on Galleo's terrace. Galleo takes advantage of the situation by using it in a blackmail scheme against Arthur, which is shaky, at best, as Olive refuses to stay dead.
A boy is locked in his room after an argument with his father, but things go wrong and he may never get out of this silent punishment again.
Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.
السر في بير
The film revolves around Mohsen (Mahmoud Zulfikar), who secretly marries Qamar (Camelia) without his aristocratic family knowing about his marriage. One day, his father asks him to come home because he has chosen the daughter of a fish merchant to be his wife to save the family from bankruptcy. For Mohsen and Qamar's marriage not to be exposed, Qamar is forced to travel as a nanny to work for Mohsen's father. From the moment she is appointed, all the men in the house begin to pursue her to express their admiration for her.
الستات كده
Aziza is a show dancer who's supporting her young sister. She lives in trouble because of the thug who seizes her money and chases her if she tries to escape. Aziza falls in love with sergeant Hassan who works in the region and decides to retire and marry him but the thug won't let her go.
Hussein, a shy young man, is desperately in love with Samiha. However, Samiha is more interested in her singing and dancing cousin Lucy. Admiring Hussein greatly, Samiha's father attempts to help him and starts spreading the rumor that Hussein is having an affair with famous actress Hind Rostom, hoping jealousy will move the daughter's heart. The plan seems to work... until Hind Rostom herself comes to town.
A short film shot on 16mm about memory, grieving, and siblinghood.
Devin Smith is your run of the mill, detail obsessed, artist that specializes in creating super small, miniature versions of everyday objects, places and things. After stumbling upon a VHS tape about a Kreature from another world that has come to turn the planet tiny with it's shrink ray, Devin can't stop dreaming of how perfect his miniatures could be if he were to only have a shrinking machine of his own. But will his love for miniatures become miniscule in comparison to his obsession?