Art and Life: The Story of Jim Phillips

"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.

At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?

Pelle vegetale. Un'intervista

15 x 15 x 5 (minisalon 1984)

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Nine artists—dancers, musicians, and visual artists—in recovery from drug and alcohol addiction are transformed by creativity in their search for identity and freedom. Their stories reveal how art has been a ballast while confronting old addictive habits and finding a portal into the aliveness and spiritual connection of art-making from a unique San Francisco perspective.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

In April 1939, "Grapes of Wrath" entered the pantheon of literature with a bang. Americans are at loggerheads over the odyssey of the Joad family, tenant farmers from Oklahoma who, like thousands of others, were driven from their land during the Great Depression. Eighty years have passed since the famous work was published, and 90 years since the beginning of the Great Depression in 1929. To mark this occasion, the documentary examines the genesis of the novel, its themes, its renewed reception during the financial crisis of 2008.

A documentary about the Russian movie "Loveless" by Andrey Zvyagintsev

Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?

Sureyya Grooves

The evolution of skateboarding culture in Ireland since the late 1980s.

The first entry in the CKY series of skateboarding programs and extreme stunts, directed by Bam Margera and featuring Margera, Brandon DiCamillo, Ryan Dunn, Chris Raab and Rake Yohn.

The second entry in the CKY series of skateboarding programs and extreme stunts: it includes a very chaotic trip to Iceland, some rather disgusting fecal footage, some furniture surfing on the highway, and a demonstration of how to destroy a rental car and get off scot free.

The third entry in the CKY series of extreme stunts and skateboarding programs. Directed by and featuring Bam Margera and Brandon DiCamillo, starring Margera, DiCamillo and the rest of the CKY crew.

Fourth and final entry in the CKY series, directed by Bam Margera, featuring the CKY crew and the Margera family.

When Volcom was founded in 1991, it was the first company to combine skateboarding, surfing and snowboarding under one brand from its inception. This way of life influenced the anti-establishment style and attitude that defined a generation. The cultural phenomenon was best captured when Volcom released "Alive We Ride" in 1993: a film documenting the raw excitement and spontaneous creativity inherent to the lifestyle. Twenty-one years later, with the release of "True To This", Volcom again captures the energy and artistry of board-riding in its purest forms. Shot all around the world and showcasing iconic athletes, "True To This" is a tribute to the movement that inspired a generation and the people and places that embody that spirit today.

Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.

Coliseum Skateshop's 2004 Boston Massacre video featured parts from Hector Gill, PJ Ladd, Baby Schizo, Dave Vey, Colin Fiske, Skyy, Daddy Long Legs and Southie.