Prague, 2022 - Having found refuge from the Russian-Ukrainian conflict, two women and their young daughters face the waiting and hope of an imminent return to Ukraine. Shelved in this city, these women tell the story of their past and give access to their daily life, their present, in which they try to learn how to live again. This documentary tries to give a voice to those who live war differently.
What does it mean to “live” after experiencing war? Four Romanian survivors of the Afghanistan conflict share — for the first time — their invisible wounds and path to recovery.
This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
Reality in Ukraine was divided into two periods - before the war and after. Every citizen tries to be useful in this national resistance. Ukrainians change their professions and adapt to the needs of wartime. In art workshops, sculptors make anti-tank obstacles. Silent figures of Ukrainian figures, angels, Cossacks and multiple copies of Jesus Christ, like a terracotta army, froze in anticipation of new creations. Masters weld metal defenses for the Armed Forces of Ukraine.
Dmytro Komarov's documentary project The Year. Kharkiv Region. Dmytro Komarov will show Kharkiv in the first months of the full-scale invasion of Ukraine by Russian troops. Viewers will hear the stories of people who found themselves in the epicentre of the brutal attacks: at the air defence base destroyed by a Russian missile, in the residential area of the city - Northern Saltivka - which was ravaged by shelling. The journalist will talk to those who played a key role in the liberation of the Kharkiv region. One of these people is Roman Hryshchuk, the commander of the 127th separate territorial defence brigade of Ukraine. He told us how the military practice of the past - using decoys in the form of dummies - helped to identify and destroy the occupiers. How did the full-scale war begin for Kharkiv? What plans did the enemy have for Kharkiv? What united people and gave them hope in the most difficult times? Find out in the documentary project "Year. Kharkiv Region".
Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.
Personal stories from civilians, children, soldiers, doctors, the country’s elderly, journalists, religious leaders, and international volunteers - a handful of the millions of people whose lives have been turned upside-down by nine years (and counting) of Russian aggression against Ukraine.
In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.
Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.
Ils étaient tirailleurs, voix oubliées de la Grande Guerre
Following the extraordinary resilience of Dr Abu Safiya and his medical team, who endured over 16 months of relentless pressure, including repeated Israeli military attempts to evacuate and destroy the hospital.
In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.
Les rescapés de Wagner
After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…
A powerful depiction of war in infamous global conflict zones. Directed by Oscar/Emmy documentary makers Buddy Squires and Graeme Scott (know for Sam Smith), this film provides a rare and powerful insight into humanity and hope in the depth of war and the greatest global humanitarian crisis of the last several decades.
"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.
The War on Disco explores the culture war that erupted over the spectacular rise of disco music. Originating in underground Black and gay clubs, disco had unseated rock as America’s most popular music by the late 1970s. But many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. A story that’s about much more than music, The War on Disco explores how the powerful anti-disco backlash revealed a cultural divide that to some seemed to be driven by racism and homophobia. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.
Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.
Breaking Ranks: Inside Israel’s War presents the first-hand recollections of IDF soldiers who have broken official silence to share their experiences of the war in Gaza - accounts that may raise serious questions about conduct on the ground and potential breaches of international law. Directed by award-winning filmmaker Ben Zand, the film features exclusive interviews with Israel Defense Forces (IDF), reservists and veterans - many speaking for the first time - who served during the war in Gaza. Their testimonies describe what they recall as indiscriminate bombardment, instances where Palestinian civilians were used as human shields, and an operational culture that some soldiers characterised as “no innocents in Gaza.”
Using authentic color and black & white footage captured from the battles this explains the events, circumstances, and results of three of the most important battles of WWII -- the battles of Midway, Kursk, and Crete.