Je ne sais pas si c'est tout le monde
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
Asta and Søren are not a couple. They're not friends with benefits either, and they’re definitely not pen pals with benefits. So, at the end of the day, what are they? With a single camera setup, the viewer is given access to a private space.
Jack is a vegan activist. His father is a slaughterhouse worker. After years of avoiding the subject, Jack sets out to confront the unspoken tension between them.
Damian, grieving his girlfriend's death, travels through Mexico seeking solace. Along the way, he connects with strangers and witnesses their coping rituals, finding a path through his own memories and regrets.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
The film is about metamorphosis of wedding traditions. What happened to the old wedding ways and customs that were market by joy, mystery and sadness?
Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
Searching for an idea becomes a complex inner journey, a space between doubt and the urge to create. Artistic creation turns strange, even to its maker, drifting between self-discovery and uncertainty, shaped by a quiet absence of intimacy with the world.
In Salt Lake City, Utah, seven Mormons live their lives a little differently. The men (Jeff, Pret & Curtis) are attracted to their wives (Tanya, Megan & Tera), but they are also attracted to other men. They refer to it as Same Sex Attraction...not gay, SSA.
Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.
Rick Dakotah investigates the "Woods People" of Vermont. "I have spent many years in some forest or another. I feel the best when I am out and about. Nature to me is "Love". I feel as though life is fair and one can get respect by respecting the other creatures of the forest. I stumbled into this research while filming my adventures. The "Woods People" are what I call them...Bigfoot to White Hairy Beings, UFO's, and more..."
Rick Dakotah continues his investigation of the "Woods People." "The woods people are dragging me further into their world. I spend most days out in the forest and mountains tracking the creatures. This is video two of the story. Do I believe in Sasquatch/Bigfoot? Yes I do but I don't really know what they look like. I have had actual visuals but the mind makes it hard to understand and tries to make something it doesn't understand...understandable."
A documentary film from New Hampshire Sea Grant following the stories of women in New Hampshire's traditionally male-dominated seafood and aquaculture industries, why they chose to work on the water, the challenges they face, and the reasons they've stayed.
In a culture immersed in technology, Instagram is reviving adventure, face to face community and real relationships. Through sharing the stories of friends old and new, "Instagram Is" sets out to discover the answer to the question "How can something so digital get people out from behind their devices and into the analog world?"
A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.
About 30 ethnic groups live in the Republic of Dagestan, each with its own language and customs. The prevalence of the Muslim way of life is a distinctive feature of this republic. The number of men taking second and third wives has increased. However, according to the Constitution of the Russian Federation, a man can only be married to one wife. So, being both a law-abiding citizen and a model Muslim is not yet possible.
Rosemarie Blank made this film, which focuses on women aged around fifty, in collaboration with the organisation VIDO (Dutch: Vrouwen in de Overgang/Women in the Menopause). An all but invisible group of housewives who have spent their lives putting themselves last to ensure that their husbands and children can reach their full potential.
Marriage and sexuality is examined through the lens of screenwriter Dr. van de Velde, a Dutch gynocologist.