Duende: Joëlle Léandre solo

Documentary about the Chicago jazz scene.

When two buskers find themselves situated on the same busy street corner, a musical battle ensues when the musicians realise that the lively city isn't big enough for the both of them

Two young strangers meet in Naples and begin to flirt and dance in the street.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

Joseph Zitt’s film dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes. The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text scrambled to approximate what you might hear while falling asleep. The Hebrew words which are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

Blue for a Moment is a documentary portrait of Swedish-born, Berlin-based musician Sven-Åke Johansson, a key figure in European improvised and experimental music. Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries. Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP/SÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl. Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. The film explores his creative process, artistic philosophy and lasting impact on contemporary experimental music.

A perspective and reflection on the work of Gabriel Ferrandini.

When young musicians come together to play classical music, they send out a strong signal to our today’s world. The film follows talented young Swiss musicians as they work, search for inspiration, but also expose their thought how to play nowadays the “old” Classical music.

The bold and ferocious harmonic imagination of John Coltrane is laid bare in this concert, captured at the Comblain-La-Tour Festival in Belgium, 1965. Alongside his famed quartet, he delivers a transcendent performance that is marked by the total physicality of the music – four sets of hands moving with restless vigour as vapour literally rises from their shoulders and into the night sky.

Live archive release from the Jazz legend. Thelonious Monk Paris 1969 is a fascinating and important late-career document of the legendary Jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. The concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Filmed in Black & White.

Two college students set out to capture a ghost on film to make millions instead of doing their finals.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

J.D. Allen Live

Although the free jazz movement of the 1960s and '70s was much maligned in some jazz circles, its pioneers - brilliant talents like Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane - are today acknowledged as central to the evolution of jazz as America's most innovative art form. FIRE MUSIC showcases the architects of a movement whose radical brand of improvisation pushed harmonic and rhythmic boundaries, and produced landmark albums like Coleman's Free Jazz: A Collective Inspiration and Coltrane's Ascension. A rich trove of archival footage conjures the 1960s jazz scene along with incisive reflections by critic Gary Giddins and a number of the movement's key players.

Tigre is an experimental film with animation applied directly onto film.

Angel Bat Dawid - one of the great jazz discoveries of recent years as a guest at Chassol in Ground Control. Chicago-native Angel Bat Dawid is one of the many talents tracked down by the US label International Anthem. Together with trumpeter Jaimie Branch and drummer Makaya McCraven, Angel Bat Dawid ensures that the "Windy City" is on the radar for jazz all over the world. The musician switches between vocals, clarinet and piano with amazing ease. But apart from that, Angel Bat Dawid is able to breathe a highly spiritual dimension into her music like no other, so that her jazz almost borders on gospel. Listening to the multi-instrumentalist therefore sometimes has something of a transcendental experience, at times reminiscent of the music of Sun Ra. This concert at Ground Control reveals all the artistic glory of their music. Recording of July 4, 2022 at Ground Control, Paris.

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.