Another Stardust

Bruce thought he had everything. A stable life, a beautiful girlfriend. But he still felt dead inside. And he found himself at a crossroads, with no idea what to do with the rest of his life. Lily had always been told she was crazy. Most people saw her as naive and childish. But she'd managed to get into a major college, far away from her old life. And she'd met a nice guy, Bruce, who she knew liked her ... though his girlfriend would never approve of that. Rhonda was worried. She was deeply in love with Bruce, but had never felt secure with him. He was immature, for one thing, irrational and silly. But her main worry was that in a college relationship, nothing lasts forever. Will he just pack up and leave after graduation? Would he pack up and leave her now? Why couldn't he just give her a straight answer? And what the hell was he doing with that Lily girl anyway? People always told Clifford he was funny. Even women thought he was funny. But they didn't want to go out with him. ...

In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.

Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.

One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

Bathed in the gentle embrace of a rainstorm, Nathan, stirred by an intimate moment with Alex, finds himself compelled to voice the currents of his inner discontent. Amidst the flickering city lights, their souls diverge—one yearning for a love that transcends the physical, the other finding solace in the realm of corporeal passion. Can they navigate the intricate labyrinth of their desires and break free from this cyclical discord, or are they fated to bring a sorrowful conclusion to their tumultuous relationship?

As the movie quotes "A arte como refúgio" Alexandre Campelo is a visual artist. He has just created an exhibition and, therefore, it is invited for an interview. When asked about his inspiration, he relives the summer of 1998, where his life changed drastically and he met the love of his life. After almost 30 years, Alexandre finds in art the way to overcome all his hurt.

A mumble of forced love, fixated upon discomfort and the urge to be understood

Roma '23

This MGM Passing Parade series short takes a look at changing definitions of art in the United States.

When a small town's killer strikes again, the town's sheriff works with the premier radio show host to find the killer.

"In his apartment full of works of art, in an intimate conversation, he (Charles Cosac) talks about all these rebirths. And also trauma, resentment, new projects and even death. And he claims to bring lessons learned from past mistakes to the new publisher." 'I have to act differently, otherwise the same thing will end up happening. I didn't come with a view of the past. I learned a lot in these years.'

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.

Lucas is a 19 years old deaf animator who explores life through his sketchbook. He encounters a handsome young man at his favorite library, leading him to seek a creative way to communicate with him. He chooses to set aside his beliefs and insecurities to ask him out on a date.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

An experimental film that lifts the veil on the world of African American drag racing.

A side table and a chest of drawers (played by actors in ingenious soft-sculpture costumes) indulge in a bit of passive-aggressive furniture moving. Do you know what your household decor is up to when you’re not looking? Another characteristically eccentric bit of humor from Dutch filmmaker Sietske​ Tjallingii, aka "Miss T."

Till Mia

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.