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Los Angeles-based artist Ed Ruscha’s 1975 short film Miracle centers on a day in the life of an auto mechanic (played by artist Jim Ganzer), who has a transformative experience while working on the engine of a Ford Mustang. Actress and singer Michelle Phillips of the Mamas and the Papas plays his love interest. Since the 1960s, Ruscha has received extensive critical acclaim for his paintings, photographs, drawings, and books exploring the commercial vernacular of Los Angeles—its graphic signage, architecture, and even parking lots. In effect, his work subtly comments on America’s cultural and socioeconomic evolution in the twentieth and twenty-first centuries. Miracle is one of only two films made by the artist in the 1970s. – Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.

Two unusual people make contact in German at a London coffee house.

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

Ethan and Sophie are a married couple on the brink of separation when, at the urging of their therapist, they decide to salvage their relationship by escaping to a beautiful vacation house for the weekend.

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.

A woman sees the ceiling of her apartment begin to inexorably close in. She tries to escape, but her front door locks and her window is too high to jump. Panic ensues.

A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

An animated poem about a dog, her human, and the consequences of a nasty habit.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

An aspiring painter meets eccentric locals and a fellow New Yorker while working on a barn in Norway.

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

Líneas

Maurice is an aging veteran actor who becomes taken with Jessie, the grandniece of his closest friend. When Maurice tries to soften the petulant and provincial young girl with the benefit of his wisdom and London culture, their give-and-take surprises both Maurice and Jessie as they discover what they don't know about themselves.

A model and a photographer, after hours of trying, strive for the perfect shot but face challenges as their high aesthetic standards get in the way.