Une nuit à la cinémathèque

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?

Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.

A girl awakes to find herself covered in blood and trapped in a warehouse. She hears someone being tortured next door! She is now in a deadly game of cat and mouse with a crazed killer.

A bunch of vain TV snippets put together in a weird musical way to make you feel something.

Destruction of Silence

Two underground smugglers in a modified rally car transport an unwilling hostage across a contested border.

Three friends sneak into an abandoned building only to find out they've bitten off more than they can chew.

After years of helping euthanize the terminally ill, a "hospice" worker begins to question the ethics of her job.

Clive, an old film projectionist, fears his profession is becoming obsolete. Holding on to the love and magic of film, he desperately tries to rekindle his relationship with his daughter, Mary, by forging a new one with his granddaughter.

A little girl reflects on her last summer with her father at his funeral.

Meneath: The Hidden Island of Ethics dives deeply into the innate contrast between the Seven Deadly Sins (Lust, Gluttony, Greed, Sloth, Wrath, Pride and Envy) and the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s darkly beautiful stop-motion animation, her inner turmoil of abuse is laid bare with unflinching honesty. Convinced she’s soiled and destined for Hell, Baby Girl receives teachings that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths a hauntingly familiar yet hopeful world that illuminates the bias of colonial systems.

Suyeon works in nail care at a hair salon in Brickstone in South London. Maya, a mischievous punk girl, steps into the salon. When their fingers touch, Suyeon begins to feel confused with her own feelings.

15-year-old Marie tries to escape her life. Together with her friend Kati and her clique, she sets off to celebrate New Year's Eve. A lavish party night begins, at the end of which Marie finds her personal happy ending.

Based on an excerpt from the novel by L.N.Tolstoy "War and Peace." The war of 1812. The defeated Napoleonic army is retreating. Three Russian soldiers settled in a snowy forest near a fire: a young (Zaletayev), an elderly and a middle-aged one. Zaletayev fantasizes — as if he had captured Napoleon. The soldiers laugh good-naturedly at him. After dinner, they fall asleep... Two Frenchmen go to the clearing — an officer and a soldier. Russian soldiers wake up and, seeing that the officer is barely standing on his feet from cold and hunger, take him to the colonel. The French soldier sits down to the fire. The Russians give him porridge and vodka. The soldier, encouraged, sings a french song. Zaletayev echoes him. A tired Frenchman falls asleep on Zaletayev’s shoulder. The soldiers carefully shelter him. “Also people,” an elderly soldier says with a sigh.

A woman living in Paris feels neglected by her husband, so she decides to go to New York City and enjoy herself.

A friend sacrifices himself, taking the blame for a murder upon himself. A guilty conscience will end up killing the real culprit.

Three sisters meet to empty out their late father's cluttered apartment. A disturbing and tiresome chore, filled with ghosts from the past. At the end of the day, it is still messy, but hearts and souls have been set free.

Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.

A lonely young boy hides from his troubled life in his secret hideout, until the day he befriends the girl next door.