Jonas

Terror, Tote, Völkerfreundschaft: Die DDR und der Nahost-Konflikt

Johann Sebastian Bach is not only one of the greatest composers of all time, but perhaps also the most mysterious. Who was this inconspicuous man from Thuringia, whose music still deeply touches people from all over the world?

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

A creative and skilful montage as well as dramatically spot-on sound and music effects are combined in a snappy plot to offer a mordant commentary on the constitutionally enshrined equality of men and women in the GDR. The film was awarded a medal at the 1982 congress of UNICA, the Union Internationale du Cinéma, in Aachen.

Rolling into the village: Circus Hein. Angelika Andrees is interested in the individual acts presented in the ring, but even more in what happens before and afterwards. Or what the audience look like from below, when various bottoms are squashed on the wooden benches. Sometimes there’s clacking and knocking, or the pattering of rain, and in the end, Bob Dylan sings. “Travelling Circus” was made when Andrees was still at the Babelsberg Film Academy. She experiments with different elements, switches tones and thus captures the moods crystallising around the travelling attraction. A portrait emerges, without commentary and with very few, short interview sequences.

In works like “Guide Dog Ruepel” (1962), Bärbl Bergmann was the first feature film director in the GDR to portray children in their often pitiless but also honest dealings with each other, something that was almost impossible in the documentary films of that period. But she also managed to sneak lessons on how to pursue educational goals with creative obstinacy into popular science films. Thus her educational piece about two boys who discover that magic, too, requires hard work, despite its rational approach, is far from disenchanting: The protagonists reach their conclusion via detours that take them through mysterious corridors, furtive looks through keyholes and bewitching dreams.

“Won’t make it today, hope you don’t mind.” A casual call, the husband will be late again, not to be expected before eight. He is an officer in the National People’s Army, still young, but with a lot of postings under his belt, always accompanied by his wife. She has resigned herself to her fate, while he flourishes enviably in his profession. Róża Berger-Fiedler spends most of the time by his side, following him in brisk cuts from appointment to appointment. Talking is required and demanded constantly: to representatives of the Soviet armed forces, young recruits, subordinates. Words come easy to him, but not everything runs smoothly.

"Portavoce" (Megaphone) traces back the evolution of a culture of protest in Romania, developing in recent years, through the voices and opinions of key actors involved in social mobilization, in direct actions and in the development of a cultural scene favorable to political involvement.

For this inform­at­ive new one-off, film writer Ian Nathan focuses on the first 60 years of British film, from the inven­tion of cinema and the trans­ition from stage to screen, to the emer­gence of the stu­dios and the first pop­u­lar idols. Nathan takes us through the work of lead­ing Brit­ish film-makers — a tal­ent pool that, like Hol­ly­wood’s, benefited from the influx of refugees flee­ing Europe — includ­ing Alfred Hitch­cock, Pow­ell and Press­bur­ger, and many more besides.

Making of: Volvo FH Trucks

Entre Destinos poetically explores the travel stories of ordinary people who wander through a bus station in a celebration of the beauty we can find in the mundane.

the days u thought u forgot

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

Swedish thrash metal band, Cornucopia make their debut album "The Seventh Seal"

The extraordinary journey of Adebayo 'The Beast' Akinfenwa, twenty-years defying the odds; adored by fans, respected throughout the sport and commanding more attention than most.

Dziwny świat Thomasa Puckey'a

While, all over the world, multiple wild species are threatened, raccoons are displaying an unprecedented expansion. Beneath the innocent and graceful plush exterior hides an unparalleled "survivor" temperament. Omnivorous, curious, intelligent and extremely adaptable, raccoons prove to be very good at overcoming any challenge thrown by humans. But how do these clever creatures manage to survive both in the wild and in urban settings? Set in one summer in Georgia, USA, this film follows a litter of young raccoons from birth to adulthood on Jekyll Island.

A short documentary filmed over the course of a friend group's final day at Universal, Orlando.

A meta-film (about the film Arved, directed by Vojtěch Mašek) that should never have been made, because no one can parasitize the ever-blooming flower of the film industry with impunity. Nevertheless, Ježek has signed a pact with the devil, thought he was some kind of Faust, played with the devil and black magic, and made the project happen. And this is unforgivable in today's profit- and success-oriented world. He'll face eternal damnation and the fires of hell. And it serves him right. At least he won't continue to harm those who demand nothing but peace of mind from the world.

Georg is an Austrian retiree whose mother witnessed the crash of an Allied B-17 near their home during World War II. When he takes up metal detecting to find the wreckage, a growing fascination leads him to embark on a heartfelt mission, not only to research the backgrounds of the American crewmembers who parachuted off the plane into enemy territory, but to locate their descendants, to bring them to his Austrian town on the 75th anniversary of the crash, to introduce them to the townspeople who helped their fathers, and to unite his town in remembrance. It’s a story of empathy, resilience, and the enduring power of human connection.