Don't Take Everything

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.

Gene Thompson wakes up knowing that the decision he has made will change his life forever.

Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.

Two people in love, two apartments - one in Barcelona and another in Los Angeles - and the images of their past, present and future. Can love survive 10,000 km?

A man begins to suspect that his long-distance girlfriend, whom he met online but has never met in person, has been living in the same city the whole time and sets out to find her.

Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.

Pulsar

Blues

A female traveling companion seduces a married man and his alcoholic wife.

When his brother Stijn shares the sexual abuse by their father Theo in the group app, Niels starts to better understand his own intimacy issues. With the secret revealed, Niels and Suzanne together confront Theo about the consequences.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

When Elisa confronts Sean about finally building towards the life they both dreamed of, it occurs to Sean that there's no time like the present to make a change. The question is, did he wait too long?

Fledgling screenwriters retreat to a quiet country manor to work on their script, but a constellation of needy characters produces constant interruptions.

Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit.

'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".

A story about bunch of people who live in a town in provincial France. At the center of it all is Pierre, a conceited and vain bisexual musician in his late teens who acts as a magnet, to varying degrees, for a whole array of characters - from his sister Lucie, with whom he has a heated incestuous relationship, to a city councilor with whom he participates in gay orgies. When Pierre turns up dead, Lucie investigates the reasons for his demise and charts the network of sadomasochistic relationships that crisscross the town.

Eternal daydreamer Mel can't wait to quit her sucky catering job and fly to her dream destination: Portugal. Things change when the beautiful Jenny literally crashes into her life when Mel nearly runs her over in her classic BMW. It is love at first sight, however there is just one problem: Jenny mistakenly assumes Mel to be a boy. Despite this, the pair become boyfriend and girlfriend. With Mel attempting to disguise her true gender at every turn, her journey from tomboy to out lesbian is fraught with life-defining dilemmas and sweet surprises.

Michelle and Allen, who have reached the point in their relationship where they are considering next steps, decide to invite their parents to finally meet and to offer some understanding of why marriage works. Except the parents already know each other quite well, which leads to some very distinct opinions about the value of marriage.

Ray has promised Sunny a digital detox weekend in nature before they say goodbye to their old-fashioned smartphones forever and get a more modern implant. A gigantic solar flare wipes out all technology on Earth and Sunny and Ray are forced to find their way back to the city without any technological tools. They meet Liz, who saves their lives and wants to show them the way to the city. But in a world where nothing is the same as they knew it, questions of trust and loyalty arise.