After prophesying the end of humanity, a reclusive conspiracy theorist receives a troubling call into his radio show.
Anna invites something sinister into her home when her online shopping obsession leads to a mysterious late-night delivery.
A documentary filmmaker team is haunted by a series of supernatural events while working on a documentary about the urban legend "Mama Minta Hotspot".
THE WORLD IS CONSUMING ME AND I CAN'T RUN AWAY FROM THE FALL
Feedback and religious radio noise
Harvested 3 is the trilogy to Harvested The Holiday Horror Franchise, Produced by Culture Forward Media Group LLC and Distributed by Culture Forward TV. Writer and Director Ali West Ashe aka Alex West the 23X international award winning filmmaker (4X platinum); will also be starring as Detective Axel Edwards, while Cortney Elise returns as Tiff, Gregor Haley returns as Harold Rice, Elester Latham returns as Ottis (Motel Owner, Dean Wil returns as Jemel, while Watts Homie Quan (Tyquan Givens) makes his franchise debut. Creature Concept design by Veniesa Dillion and Mylina Baez, SFX by Jessica Seifert, Soundtrack byThe Vanguards, Cazo Cas, Judell Rome and ClintD. Harvested 3 returns to streaming on 11.25.24 Just tap in on Roku and Channel search Culture Forward TV to stream it for free!
Forced into early retirement by a degenerative illness, former baseball player Ray Waller moves into a new house with his wife and two children. He hopes that the backyard swimming pool will be fun for the kids and provide physical therapy for himself. However, a dark secret from the home's past soon unleashes a malevolent force that drags the family into the depths of inescapable terror.
Matheo is a 17 years old students. Despite being a good one he is lonely and has no friends. His family is precarious. Born from an alcoholic father and a housewife mother Mathéo did not have the best childhood… It’s during his puberty than he discovers not only himself but his sexuality however he will soon assimilate the taste of sex to taking part of other people’s suffering. He will start by first torturing animals in vicious ways but he will soon change up his mind to tackle bigger species. Men and women that will cross his path.
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
A teenager tries to cope with the loss of her twin sister by running away to boarding school. There, she finds a monster not too different from the one she was escaping – but way more powerful. Will she keep running, or defeat it?
After a white shark, also known as an ogre shark, is injected with a GMO medicine, it turns into a dangerous bloodthirsty mutant that can outwit even the king of nature. A group of hapless lovers of playing with the laws of nature will have to stop the shark or die from its teeth. But no matter how terrible the vengeance of nature is, there is a much more terrible force, from whose punishment can not escape even a mutant who survived in battle with...
A vicious and corrupt small-town sheriff and her deputies brutalise Lisa and leave her for dead in the nearby woods. There she is bitten by a werewolf and bestowed with supernatural abilities. Can Lisa retain her humanity as she exacts revenge and cedes herself more and more to the wolf side of her personality?
With an attraction to the dangerous side of life, a car service driver named Cal prowls the night looking for adventure. Cal finds his match when he picks up two cholas who promise to show him a night full of drugs, guns and brujeria.
A weekend getaway turns into a night of horror for a family on vacation at a remote cabin. A priest returns twenty years after "the incident" to stop an evil that haunts it. Can the priest exorcise the demon in time to save the girl's life and close the gates of hell?
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Navigating an emotionally intense, but out-of-sync relationship, Connell and Jesse fall prey to an entity that feeds on their detachment.
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
After the end of the world, Damien and Emily are trying to find a salvation camp. However, after realising they are being followed by a horde of infected Screamers, they soon find themselves closer to danger than they'd like.
The permanence of awareness and the transient nature of ego. An external look into an internal awakening. The stark realization, the sudden death, and the everlasting peace.