ABUHADBA

Atlantis is filmmaker Luc Besson's celebration of the beauty and wonder of the world beneath the sea, expanding upon themes touched on in his film The Big Blue. Combining stunning underwater cinematography and a hypnotic score by Eric Serra, Besson's singular vision defies dialogue or narrative structure to explore ocean life as you've never seen it before. Following the colossal success of The Big Blue, Luc Besson crisscrossed the world's seas and oceans to film the beauty and diversity of marine life: from the giant octopuses of Vancouver to the manta rays of the Pacific (New Caledonia), and the grey sharks of Tahiti. A film with no actors or sets other than the underwater world. A breathtaking view of marine species: sharks, dolphins, manatees, octopuses. An exploration of the seabed in the Bahamas, the Galapagos, Vancouver, and Tahiti.

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

The sinking of the Titanic sent shockwaves around the world and started debates that continue to this day. But new, explosive evidence from the most unlikely of sources may finally lay all arguments to rest and reveal, for the first time, the full story of what possibly doomed the "unsinkable" liner. Join us as we unveil recently discovered and never-before-seen photographs of the super ship that exposes shocking clues that investigators and historians once dismissed but can no longer ignore.

Since the year 2000, there have been several waves of suicides among the indigenous population of the Colombian Amazon. I discovered that the men commit suicide because of love sorrow. Their wives leave them for white men. The latter think that the Indian feels nothing because they do not express themselves in the same way and, in their language, there are no words to describe feelings. Is it possible that a whole people, the Cácuas Indians, do not feel anything?

Whales Without Walls is a short film that tells the story of our work to create North America’s first seaside sanctuary for whales being retired from marine entertainment parks.

Welcome to the Cirque Du Bizarre, the fetish circus par excellence! On the program are artistic and erotic top acts: Sexy latex girls from the dollhouse fire devil Strecko, fetish magicians, chain goddess Brandy Wirtz, pony girl trainer Rubber Stacy, the fetish clowns of "Grandios Gnadenlos," Masuimi Max in a spectacular performance, latex sea lions by Mistress Sandra and much much more.

Documentary on the Mayan culture.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

A short documentary featuring an interview with director Jörg Buttgereit.

Photographer and visual artist Sammy Baloji’s fascinating film essay explores the Democratic Republic of Congo’s colonial history and its ecological significance. Drawing on research from the 1930s, the film highlights the Congo Basin’s vital role in consuming carbon dioxide and shaping global environmental balance over a century.

Visiting the home of Marija Janeković in Petrinja on 24th April 2013.

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

Rambu Merti (22), the youngest daughter in a family of traditional weavers in the village of Kaliuda, East Sumba, stands at a crossroads. On one hand, she feels a deep responsibility to carry on the legacy of Inggi Kaliuda, a woven tradition passed down through generations. On the other hand, she harbors a strong desire to pursue higher education and carve out a different path for herself. Accompanied by her mother, Yustina (64), Merti goes from house to house, seeking handwoven cloths to sell. Through each conversation—about motifs, life stories, and cultural values—emerge questions of identity, sacrifice, and hope. Amid uncertainty, Merti chooses to stay with her mother, while quietly searching for new ways to find meaning in the place she calls home.

Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.

Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.

A Case Study: Cambodia and East Timor