The fourth Waltons reunion TV movie is set in the 1960s , with John-Boy still living in New York, trying to persuade his fiancée to marry him. Meanwhile, Ben and Cindy's daughter Virginia has died, and Cindy is finding life very lonely without her. She tells Ben that she would dearly love to adopt another baby, but Ben feels that it is not a good idea. Ben argues with his father about buying a new truck for their lumber company, but John keeps insisting that they can't afford it. Elsewhere, Erin now has three children and is separated from Paul. Her decision to start seeing another man causes some indignation among the other Walton family members. Ike and Corabeth become grandparents when Aimee has a daughter, while Elizabeth returns from Europe and reunites with Drew, her old beau.
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
4 siblings come to the house where their deceased father lived alone. These 4 are the descendants of the last remaining Ghwa clan. But the heir Kyung Su announce that he never marry, so their family name ‘Ghwa’ is in danger of extinction. Kyung Sil, who insists on inheriting the generation, is arguing with her younger siblings for half a day, and Kyung Hwa suddenly asks for father’s inheritance.
Nearly a decade in the making, The House We Lived In is a strikingly candid portrait of a family transformed by a father’s brain injury. In 2011, 61-year-old Tod O’Donnell awoke from a coma with a case of total amnesia that doctors assured his wife and children was temporary. But when it proved permanent, and for no discernible reason, the O’Donnell’s were left to themselves to untangle the mystery — a struggle for answers that would only raise more questions as they came to realize, painfully, that the real mystery was Tod himself.
In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
Three siblings who break away from a lackluster temple tour in a jungle finds themselves immersed in a real-life mission comprised of obstacles that they must complete in order to escape alive.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
Peter is thrilled that his Grandpa is coming to live with his family. That is, until Grandpa moves into Peter's room, forcing him upstairs into the creepy attic. And though he loves his Grandpa, he wants his room back - so he has no choice but to declare war.
This one-of-a-kind comedy special showcases the comedian's riotous stand-up performance, exploring everything from the Disability experience to her Italian-Catholic upbringing to body image issues and more.
Heavysaurs is a partly-animated, live-action family adventure about two kids who find five funny dinosaur creatures that love to eat and play rock music. When the creatures are taken into captivity, their rescue takes the kids on an exciting adventure full of challenges and surprises.
Duk-jae is being overlooked at his marketing job and sublimates his unhappiness by getting drunk after work. His boss tells him he’ll be fired if he doesn’t land a contract renewal for Club Hawaii, an establishment where men come to cross-dress in a safe and fun environment. The club owner is willing to renew the contract but only on one condition: that Duk-jae participates to get into the mindset of the membership.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.