Seine Majestät von Bethlehem zurückkehrend

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Megha's Divorce

Kellou, in her forties, lives in Bol, the capital of Sahel’s province. She’s a fisher, profession transmitted from mother to daughter. She learned it from her mother. But since a few years, Lake Tchad has been shrinking, and fish has become rare. Kellou’s job is threatened. One day, after an un- successful catch, her 12 year old daughter Mouna gives her an idea: pick up plastic bags invading the lake and make ropes out of it to sell them on the market. By this simple gesture, Kellou gets to, in her own way, fight against plastic pollution and adapt to the new conditions brought about by climate change.

In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.

"Oh salty sea, how much of your salt / Are tears of Portugal! / To get across you, how many mothers cried, / How many sons prayed in vain! // How many brides were never to marry / In order to make you ours, oh sea! / Was it worth it? Everything is worthy / If the soul is not small." (Fernando Pessoa)

P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.

Chesterton, Indiana's annual WIZARD OF OZ parade (as well as their many Oz-themed festivities) provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar (called the Midget Club) in the South Side of Chicago. Two other former Munchkins (Margaret Pellegrini and Clarence Swensen) briefly appear among the day's revelry. Also included is a postscript (shot some time after the initial film) featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche

A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds this lonely and forgotten island of Dreams. Filmed at the Emeryville Mudflats near San Francisco.

After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.

The Bionic Eye

Marketing film for Walt Disney World showing the creation of the new theme park, with footage of WED designers at work, actual construction, scale models, the Preview Center, and Walt Disney discussing his hopes for the project from an earlier 1966 film.

A documentary covering the trials of James Hanratty, perceived to be wrongly accused at the time and one of the final eight people in the UK to be executed before capital punishment was effectively abolished.

Samantha, activist and octogenarian; Morgana, soprano in her 30s and Victory, influencer in her 20s. Three trans women from three different generations who have managed not only to belong but to stand out in society.

Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

This film memorializes the leader of Vietnam, Ho Chi Minh, on the occasion of his death. It narrates the story of a life which is also the story of a nation-recounting his important accomplishments in the struggle against colonialism and imperialism.

The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).

Desperately building against the inevitability of time, a restless young woman is awaiting another upcoming loss. But maybe more important things never seem to be told. Soon after the director moves into her 22nd house, she gets a phone call that her Grandma, who lives far away, is in a critical condition. Elsewhere, a huge apartment made of sand is being constructed as the tide rolls in, while she belatedly tries to build a relationship with her Gran. As the camera sensitively observes how we wait for the upcoming days, the film embraces the fragility of life, full of uncertainty.

Vittorio De Seta travels to Alessandria del Carretto, a small town in the province of Cosenza, to capture a unique celebration known as the “Feast of Silver.”

An important early film by Stan Brakhage, which Joseph Cornell commissioned as a record of New York's Third Avenue elevated train before it was torn down. Curiously lacking in people, the film focuses on the rhythms of the ride and reflections in train windows, finding a real-world version of the superimpositions Brakhage would later create in the lab. Preserved by the Academy Film Archive in 2005.