Caramelo

Sascha is on her way to Italy with her camper to marry Carlo. On the way she meets Alex. The unequal travel partners are confronted with the challenges of the road. A tender friendship develops.

Aankhen (meaning The Eyes) is a 1950 Bollywood family drama film directed by Devendra Goel

Zoya Kosmodemyanskaya

Le vie del peccato

A series of murders and kidnappings occur by an unknown killer, and the police begin to search for him, and when a young journalist discovers that the killer has been influenced by the well-known character (The Hunchback of Notre Dame), he disguises himself as a similar person and calls himself (Ahmed Notre Dame), and agrees with a girl to kidnap her in order to attract His killer, who already begins to search for him and communicate with him.

Cousins Michele and Tommaso are told by a notary that a distant uncle has left a large sum of money for them.

Napoli eterna canzone

The story of an honest young man entangled by a night singer in the Camorra.

Archibald was born with a curious curse: he cannot make a gesture without everyone present imitating him. Now he's grown up and out of desperation he decides to rob a bank. On this occasion he meets Indiana, a young woman who always manages to avoid any form of control.

Non mi dire mai goodbye

Jie attended a women's university with the financial support of her geisha sister Oha and became a lawyer. The aim. Michiko, one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.

Mr X and Mr Y both have a hidden past. Mr X committed manslaughter in his youth without being caught. Mr Y falsified a debt without being punished. Now they meet in a countryside house in the middle of a storm.

Filmed in front of a live audience on tour in Australia, Dylan Moran’s DR COSMOS offers his unique take on love, politics, misery and the everyday absurdities of life, all served with his trademark poetical panache. Dylan Moran has been called the Oscar Wilde of comedy and his famed style - deadpan, witty and with crackpot lyricism – makes for an unmissable journey through his interpretations of the world, swerving cliché to offer a cutting blow to our idiosyncrasies.

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