June

A brand new interview with Carved: The Slit-Mouthed Woman director Koji Shiraishi.

Composed of songs and memories, this powerful musical film traces the traumatic experience of young survivors from different parts of Africa. In the village of Conques in France, they found a therapeutic space where they learn to overcome their past and, through song, to imagine a new future.

This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.

A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.

Voices from the past echo through the deserted, snow-covered stone houses in a village in the Caucasus Mountains.

Modest Gods

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

Elle entend pas la moto

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Ces chansons de nos vacances

A behind-the-scenes look at the production of Baby Assassins: Nice Days.

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

For over thirty years, between Paris and Rome, Chloé Barreau has been filming her love life. While in a relationship, she would already build its memory by filming, taking pictures, writing about it… but what do her exes remember? What is their side of the story? This film traces a woman's life, based exclusively on the interviews of people who loved her. Intimate testimonies and private items reveal the universal paths of the feeling of love.

This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

A short documentary about Arthur Penn.