"Me + You" follows a young gay boy’s experience of fragmentation from his inner child essence due to judgment from his family, peers, society, and the Roman Catholic Church.
In 1921, Charles, a young Luxembourgish cartographer is sent to Albania as part of a border commission to gather information on the topography and the people of the region. The country has recently become independent, but it does not yet have clearly defined borders. Back in Paris, Charles gets to report to the Conference of Ambassadors. At first, he is overwhelmed by the impressive architecture and the intimidating grandeur of the event. However, he soon learns that the party of self-serving diplomats has little interest in the future of the people he has just met. With no representative of Albania even present, Charles feels the need to speak up for the young country. Despite breaking protocol in doing so, Charles shares an observation with the quarrelling diplomats that allows them to find a peaceful solution to the question of where to draw the urgently needed borders.
“The Lion and The Unicorn” is a short film inspired by the heraldic symbols found on the Royal Coat of Arms of The United Kingdom, the lion (representing England) and the unicorn (representing Scotland). The piece uses representations of both alliance and opposition to explore national identity within the context of the 2014 referendum on Scottish independence.
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.
Wile E. Coyote tries to drop a rocket bomb on the Road Runner from a balloon but inflates himself instead.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her office, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Sofia is panicky, again. The Universe decides to contact her. An other-wordly dialogue. A planet symphony for Mars, where people dream awake and fight for love.
A highschool kid is bullied for putting lipstick on himself in a bathroom. As he dries his clothes in the laundry, he meets a mysterious girl.
Léo, a drama student, sees his world turned upside down following the arrival of Mathis, a new student in his class, and an important family announcement, which will question his point of view on love, friendship and his future as an actor.
A young woman is struggling with her mental health, as it begins to slowly push her over the edge.
After years of helping euthanize the terminally ill, a "hospice" worker begins to question the ethics of her job.
A radical remix of the recent Transformers film, via synthetic collapse and critical revenge on its old & new fascist tropes > celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent poetry of the Futurists are superimposed on the mythic morphology of the Autobot blockbuster’s machine mayhem. Images of death & destruction reign in a delirium of transformations as, to quote Marinetti: “We Decompose the Universe!”
This is a story about love.