Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...
Even when you're fortunate enough to live in a place as beautiful as the country village of Asahigaoka, you should never turn down the chance to explore someplace else. So, when Suguru wins a free trip to Okinawa just as the summer vacation is coming to an end, the town's entire school… all 5 students and 1 teacher, plus the local candy shop owner… can hardly wait for their 3-day trip to begin! Between kayaking, swimming and meeting new people, there's always something fun happening, but the best part of all is that big city girl Hotaru and her new small-town friends all get to explore the wonders of Japan's famous vacation destination together.
Morita Mayu, a high school girl. She is extremely reticent and her silence and habit of looking at people's eyes straightly sometimes cause misunderstanding. The reason behind it is not because she doesn’t like to talk nor because she has nothing to say. The reason she rarely speaks is due to the fact she thinks too much before speaking, thus losing the timing to speak altogether. But she lives a happy school life with her classmates.
The paths of two strangers cross on a New Year's Eve spent alone, far from everyone. Driven by chance, they begin to reflect on their past and imagine what might have led them to experience that night together if they had met earlier.
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
The weird hand creatures undergo different transformations in synchrony with the music.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.
An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
The music isn’t over yet! “Sound! Euphonium: The Final Movie, Part 1” is coming in 2026!
One fateful summer, a group of elementary school kids set adrift on an abandoned apartment building must look within themselves to find a way back home.
Cocoa visits her family, in the mountains, after quite some time again after her sister Mocha wrote her, through a letter, to come back soon. Her friends will have to spend a week in the town without her, while Cocoa has time with her family that she hasn't seen for a long time. But Chino, Cocoa's self proclaimed little sister, wants to go watch, with Cocoa and all her friends, the fireworks in the fireworks festival, which is coming up in less than a week. Cocoa decides to return early as she misses them all, but will she arrive in time for the climax of the festival?
This is no animation, it's one picture. Short experimental film by Mirai Mizue
This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
Riko, Midori, and Mai work in an Inn in Kyoto. They are training to become maikos (traditional female entertainers who sing, dance, and perform). A festival is coming and the three must start practicing.
On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.