No entry

Ashtam (viens me voir)

A collection of urban explorations videos made by filmmaker Will Krupinsky between 2015-2017.

Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal

The narrative unfolds from the point-of-view of a single character named Roach. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

Ladies of good families and social standing come to have their afternoon tea with their daughters who will someday follow in the same tradition. A charming portrait of a time that is slowly disappearing.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

Roach and Starbuck, two hardcore punks from Montreal, try to form their own political party, but run out of time due to Canada's electoral process. Instead, they decide to campaign for political office as independent candidates in a rich Montreal district called Outremont.

This film takes us inside the world of cricket and the daily life of Montreal's Parc Extension - one of Canada's poorest yet most vibrant immigrant neighbourhoods.

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Montréal la nuit

Monsieur

Video Tour Montreal presents the summarized visit of the great city of Montréal all the way from district life to major touristic attractions such as St-Joseph Oratory, Mount-Royal, Old Montreal, Notre-Dame Church, Underground City, Downtown, Botanical Garden and Olympic Stadium. Video-Tour Montreal as excellent souvenir of the sights and sounds of exciting Montreal.

Tout impossible est simultanément à chaque instant possible

Made shortly after the referendum on Quebec's independence was held, this documentary illustrates what the politicians' promises were and how the population did not really care nor truly understand what was really at stake, even though just about everyone had an opinion on the subject.

Montreal of another time is reborn into screen through images from a hundred of movies and shorts produced by the National Film Board of Canada while at its first four decades of existence. Port activities, musical shows, presence of Church, labors life, hockey fever and the best years of "Red Light" are few of the chapters of this collective family album.

There are places in the world that are forgotten by everyone, places where time seems to have stopped, where nature seems to have won the battle. These places are the playgrounds of modern-day adventurers called urbexers. They explore, discover, and photograph the most emblematic abandoned sites in France with a single leitmotif: to prevent them from falling into oblivion forever.

Je suis finissant

Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.