A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
A disabled man takes on the system when his pension is tied up in a morass of red tape. His story is revealed on a television program, and the star of the show is admonished for trying to incite the public against the system. The media, the man and the television manager gather to try to talk out the misunderstandings they all experience with the system of slow-moving social injustices. The message of the film also states that the days of media scrutiny and public-opinion feedback are here to stay.
When an eight year old kid, Ningning, had a pink chick who fulfilled the love she has been longing for from her sister, she once again experienced the joy of her childhood. However, it was cut short when the pink chick suddenly vanished. This has lead her to discover the harsh realities inside their household.
Against the backdrop of Nigerian burial traditions, a widow and her three children struggle with the noise of public spectacle that isolates them in their private grief.
On her walk home, a young woman senses a man behind her. What follows is a tense, internal journey, exploring shared fear and the emotional toll of constant alertness.
Based on the Chilean "Riot Dog" Negro Matapacos. A stray dog meets young protester María. Together they radicalize until María has to go to jail. When she gets out her courage has left. But then finds out that the dog got famous during the protests.
An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.
Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?
After Maribel Cruz Mejía's death, all that remains is a recording. Through it, a woman tries to preserve the memory of the greatest love of her life and of the person she once was.
A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.
Quando as Coisas se Desmancham
A successful doctor comes into conflict with his friends and family and is slowly driven towards suicide.
Two drifters, one a gentle but slow giant, try to make money working the fields during the Depression so they can fulfill their dreams.
The Philippines, 1902. The land is raw, wounded, occupied. Smoke clings to the trees. Blood soaks the soil. The war is over – but the violence lingers. Widows fill the villages. Mothers vanish into silence. Among them walks Sisa, barefoot and broken, dismissed as mad by those who fear what they don't understand. But madness is only the surface.
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.
Tells the story of a young student and his spanish journalist friend who, after being victims of violence, they decide to act and organize a movement through Mexico's internet, but this is mistaken for a terrorist organization.
Working-class Angie, sacked from a recruitment agency for bad public behaviour, teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate for work, the opportunities are considerable, particularly for two girls so in tune with these times.
In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.
Hëna, who works in a construction site, falls in love with another worker, Agim.