Liquid Dreams

A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.

A lovelorn man is entranced by a beautiful girl who takes a ladybug from his neck.

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

Hajj Metwally is keen to acquire money and land. His daughter Naima falls in love with Hassan Al-Maghnawati and he reciprocates her feelings. The two lovers meet repeatedly. Atwa, a relative of Metwally, aspires to marry her. Therefore, when Hassan proposes to her, her father rejects him. Naima runs away with Hassan to get married. Metwally and Hajj Abdel-Khaleq go to the town of Hassan, in order to retrieve Naima, harbors evil against his daughter and locks her in the house, and Hassan tries to retrieve her.

Haridy arrives at the vegetable market in search of a job opportunity, he works for Master Abu Zaid and after a while he separates and marries Hossnyia. Haridy forms an alliance against Abu Zaid, but he soon becomes more powerful and his condition turns to worse.

A devastating plague has wiped out half the population of New York City, leaving it in a perpetual state of emergency. After years of lockdown, a young man, Paul, puts on his hazmat suit and ventures into the abandoned streets to meet Justine - a woman with whom he has developed a romance online, but never met. Paul has dreamed about this day, but doing this in reality is something else entirely. Will they be able to overcome their anxieties - and is it worth the risk?

An estranged brother and sister reconnect after a troubling family event.

The true story of airman Douglas Bader who overcame the loss of both legs in a 1931 flying accident to become a successful fighter pilot and wing leader during World War II.

Events take place in an isolated mountaineous village where a rabid dog bites the son of Fatime. The woman has to decide where to take her son, to the doctor or to Aunt Remja, an old woman who practices magic.

Grecia is a girl who lives with her best friend Alex in Lima, a city in Peru that constantly rejects young people and dreamers. These two are leading a journey of self-discovery, demonstrating the true meaning of their friendship.

Withstanding misery, a young man who seemed to live like an ordinary person suffers and tries to seek help from the closest person named friend.

In the Dark Ages a lone knight, haunted by the spirit of death, braves a dark forest to lay his wife’s ashes to rest.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

After a long night out two lonely people awake in unfamiliar places on opposite ends of the same city. Their eventual meeting in a city park can only be described as good fortune.

Kamal is a shy young man who is involved with his classmate Nadia. As Nadia leaves for a few years with her family, Kamal becomes a famous designer who is known for his many affairs. When Nadia comes back and finds out, she takes revenge on him by claiming that she is dating his cousin.

Two young men, Ahmed and Mohamed, who live in Port Said, develop feelings for the same girl, Najaf. However, when the Tripartite Aggression reaches Port Said, they abandon life trivialities and join the militants as Najaf joins the Red Crescent; the three unite for a single patriotic cause.

Saber Effendi is a simple employee suffering from financial pitfalls. A new manager comes to the company who had an old friendship with Saber's wife, which strengthens his relationship with Saber's family. But it causes a rumor that there is a relationship between the manager and Saber's wife.

A poor maid loves her wealthy young master and she becomes pregnant. The head of the family seeks to make her marry a lawless man to give the newborn girl his name. Time passes and the girl becomes a dancer in nightclubs, and falls in love with a wealthy young man who knows who is her real father .

After his wife dies, Taysir Bey marries the promiscuous woman, Kawthar Hanim, who always deludes her husband that he is sick. His son Ahmed loves the girl Ne'amat, but his stepmother wants him to marry her daughter, so she frames Ne'amat with the help of her lover, Farag.