Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
Le rêve de Léonard : Les secrets du vol dans la nature
Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.
In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.
Leonardo da Vinci finds it difficult to pursue his own dreams while serving as the Duke's court artist, but young Roberto takes risks to convince the Master not to give up on his dreams. In this moving story of friendship, the Renaissance genius invents a flying machine and helps Roberto reach new heights.
New evidence suggests that many of Leonardo da Vinci's ideas can be traced to other scientists as far back as 1700 years. This film was used as the S16E5 episode of the PBS TV series Secrets of the Dead broadcast on 2017/04/05.
The Mona Lisa Myth
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
Leonardo da Vinci is considered by many to be one of the greatest artists who ever lived. Yet his reputation rests on only a handful of pictures - including the world's most famous painting, the Mona Lisa.
This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
This landmark film uses new evidence to investigate the truth behind Mona Lisa's identity and where she lived. It decodes centuries-old documents and uses state-of-the-art technology that could unlock the long-hidden truths of history's most iconic work of art.
A building lost in the midst of a 5 000 hectare park, that's the equivalent of the surface of Paris, Chambord is the castle of all superlatives. Having required nearly 220,000 tonnes of stone to build, the Chateau de Chambord, in the Loir-et-Cher department, is an architectural gem. 156 metres of facade, it has more than 70 staircases, 282 fireplaces and 426 rooms. The castle commissioned by Francis 1st in the 16th century is also the most mysterious. The majestic monument has its share of mysteries: identity of its architect, influence of the Florentine painter Leonardo da Vinci in its design, location in the middle of marshes in the heart of the forest and even longevity because it has survived through time without being damaged since the beginning of its construction in September 1519.
Leonardo da Vinci is not just the most famous and most admired of all painters - he is an icon, a superstar. Yet, the man himself remains elusive. Accounts during his lifetime describe a man too handsome, too strong, too perfect to be accurate. But in 2009, the chance discovery in the South of Italy of an ancient portrait with strangely familiar features takes the art world by storm. Could this be an unknown self-portrait by Leonardo da Vinci? Controversy erupts among the experts. The implications of such a discovery have far-reaching consequences for our understanding of the work of this great Renaissance master.
A portrait of the artist as a "sublime demon with the archangel's face", with an innovative musique concrète soundtrack.
Chambord, the most impressive castle in the Loire Valley, in France, a truly Renaissance treasure, has always been an enigma to generations of historians. Why did King Francis I (1494-1547), who commissioned it, embark on this epic project in the heart of the marshlands in 1519? What significance did he want the castle to have? What role did his friend, Italian genius Leonardo Da Vinci (1452-1519) play? Was he the architect or who was?
A guided tour through the corridors of the Louvre to closely contemplate the works of Leonardo in the company of the curators of the exhibition, Vincent Delieuvin and Louis Frank.
Inside The Mind of Leonardo is based on the artist’s private journals dating from the Italian Renaissance. With over 6,000 pages of handwritten notes and drawings, da Vinci’s private journals are the most comprehensive documents that chronicle the work of the world’s most renowned inventor, philosopher, painter and genius. Using this precious collection of writings and drawings to recount Da Vinci’s story in his own words, and combining them with stunning visual effects and 3D technology, we re-create the mindscape and ideas of mankind’s greatest polymath.
An exhibit of Da Vinci's works traces the pathways of the great artist's mind.