I am a Mennonite

Six Christians face a dark night of the soul that leads them to question everything they believe.

This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.

And When They Shall Ask

Originating in Europe in the 16th century, the Mennonites are a Protestant religious sect, related to the Amish. Instead of compromising their way of life, they have been continually forced to migrate around the world to maintain their freedom to live as they choose and have found a home in Mexico.

Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.

Six thirty-somethings try to spice up their stale marriages with a sexy weekend at a secluded cabin. An Amish farmer's corpse is resurrected when a Satanic sex act goes awry, and his murderous rampage stops the orgy dead in its tracks.

The story begins while Tommy Martin and his mother, Martha Martin say goodbye to Henry and Reuben Johnson. After having stopped by the Mennonite farm, where Tommy and Martha stay with the William and Annie Decker, the Johnsons are headed back to their hometown of Goshen. The balance of the film is concerned with both trying to get the necessary train fare and with Tommy clearing his name over a misunderstanding.

A modern, gothic tale of crime and redemption about an aging police officer from a small Ontario Mennonite town who hides a violent past until a local murder upsets the calm of his newly reformed life.

A group of women in an isolated religious colony struggle to reconcile their faith with a series of sexual assaults committed by the colony's men.

An NYU student visits a Mennonite friend in Lancaster, Pennsylvania after a fellow Mennonite is killed while protesting the Vietnam War.

A Mennonite farmer makes a deal with the Sinaloa Cartel to use his land as an airstrip to traffic cocaine after his wife becomes sick. This leads to him being excommunicated from his community while simultaneously becoming feared by the cartels for his ruthless business dealings.

Young Benjamin is having trouble adjusting to barbed wirework. Waiting for days to the Mennonite chief but the wait is very long. The other workers, César and Genaro, begin to feel that the Paraguayan Chaco is getting strange and tiring.

4 aspiring food critics go on a journey throughout Toronto's lively nightlife. Little did they know it was gonna get mented...

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.