L'Atlantide a-t-elle vraiment existé ?

Triangle des Bermudes - Légende ou Réalité

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ESPRITS LIBRES

Three films reflecting upon the way in which image and speech control relate to one another. Dallas is a Fire exposes the racist speech in the archives of the Dallas TV in 1970. Sent to Lie investigates the surveillance methods applied to the Qom indigenous community with the argument of preventing COVID-19. In Non-Stop, there’s an attempt to build over history and beyond the inaccessible images

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

The lives and careers of iconic fashion designers Jenny Kee and Linda Jackson, who created a bold Australian identity through their clothes

In a quiet film, where words are almost absent, Nabiha Lotfi films children from a village in Upper Egypt. They create their own toys with everyday objects and utensils.

Called "the first lady of the silent screen," Lillian Gish was the archetypal silent film heroine — the delicate damsel in distress, stranded on a swift-moving ice floe, cowering before a sadistic brute. The film showcases generous footage of her most memorable performances. In this Emmy-award winning documentary, the celebrated actress reflects on her life and work spanning the 20th century, particularly her years as D.W. Griffith's favorite leading lady and collaborator.

Between 2014 and 2017, Luis Ospina and Lina González made a series of travels through some Asian countries; perhaps the antipodes of their symbolic world. These travels started a series of records, articulated in a kind of travel log in the style of a modern Marco Polo. This film moves between the gaze of the filmmaker and that of the tourist, at the same time it revitalizes the question for the other in a globalized age, with omnipresent screens. In this posthumous film, Ospina casts his regard on small details, be it common habits or exceptional events.

In a dance where a daughter seeks all the caress never received from her father’s hands, a letter is written by gestures, images and words in an attempt to rescue a relationship that was lost by fear.

A Blackfoot Aboriginal and a Chinese-Canadian embark on a spiritual journey of reconciliation across their shared home.

Helena is 17 years old and studies in Finland. Her father, a Swede, and her mother, indigenous Kichwa of Sarayaku, live at the heart of the Amazon in Ecuador.

The Stranglers - Feline European Tour - Live in Hamburg

Out of the 30 students that graduated from Karalina's class at a Minsk conservatory, only one chose to remain in the country. The totalitarian Belarus is gradually becoming deserted, and well-educated people are migrating in droves to the furthest reaches of the world in search of happiness, better career opportunities and a dignified life. I Grew Up As You Slept is a story about emigration, nostalgia and longing for one's family, friends and country. Karalina's film journey, during which she visits her grandmother, who lives in the depopulated Belarusian village of Achaniany, is primarily a journey through time to the land of childhood and memories.

It tells the history of Peñarol from 1891 to the 2011 Copa Libertadores, of which the club was vice-champion. After more than six years of production, it brings together more than a hundred interviews carried out with the protagonists of this story: retired and current players, presidents and technical directors of the club, historians, sociologists and many other actors linked to the institution.

Documentary about Physiopolis, a naturist camp in France.

Flavia de la Fuente abandons for this time the portraits of her favorite city, San Clemente, to travel to another place and dedicate one of her works to Buenos Aires, in what promises to be the first part of a series. La ciudad y los patos portrays a typical place of Buenos Aires tourism but, as it usually happens with the films of its author, it is the times that end up giving beauty to some spaces that we all get tired of seeing, but that routine has always shown us in the same way, hurried and neglected.

La mirada de Berlanga

UNAM: Las razones de la fuerza