Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.
Animations inspired by the art of Jim Woodring.
Mind Universe is made up of two episodes that share the same subject matter about a mind-uploaded artificial intelligence. Today Of Tomorrow is about a story of an old woman, meeting her deceased AI husband who has been mind-uploaded. Our Universe is an episode at a virtual online funeral of famous Korean composer Kim Hyung-suk and is about music, love, and family.
Without warning, millions of mysterious alien “doors” suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies.
Ep.01 My wife's healing Yumi and Hyun-tae are on a journey of reconciliation overnight to overcome bourgeoisie. Eating dinner together I'm going to join the couple who stayed in the next room. Jae-yong informs Lee Hyun-tae that he can overcome boredom ... Ep.02 Soap Scent Eun-su, who was tired of her boyfriend, told a Chinese housekeeper I am at a glance, and both of them cross over the lines I should not cross ... EP.03 Singularity Family The family of Sehun, who is reconciled with other family members, enjoys each other's private life in the evening. Sehun went to the bathroom in the middle of the night and witnessed a scene he could not imagine Sehun himself confesses his family to the absurd fact ...
Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
Trapped in a damaged cryogenic pod, a man is forced to watch a series of horrific science-fiction tales while his life support systems run out. Featuring eight intense stories of the unknown and other-worldly, equally wonderful and terrifying. Visit the GALAXY OF HORRORS, if you dare! Curated from Rue Morgue & Unstable Ground's Little Terrors Festival.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Three stories (Gabriela, Eda and Jana), two of which are dedicated to girls. They share a common motif of disillusionment when the protagonists encounter scorn and disinterest.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
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In 1987 Oakland, a mysterious force guides The Town's underdogs in four interconnected tales: teen punks defend their turf against Nazi skinheads, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an NBA All-Star settles the score.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.