SMOOTH MOTION

In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.

A singing couple gets their own television show, and the strains of putting on a TV show every week starts to jeopardize their relationship.

E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. A special documentary about the Matrix saga and its prophetic aspects.

A loving tribute to a forgotten pioneer of the golden age of television. Starting out as a Runyonesque character actor, Sheldon Leonard went on to produce some of the most beloved and groundbreaking shows of all time, such as The Andy Griffith Show, The Danny Thomas Show, The Dick Van Dyke Show and I Spy. A rare treat, this film is a delightful retrospective of Leonard’s body of work, including priceless clips from his productions— as well as his hilarious appearances on shows such as The Jack Benny Program—and interviews with many of his friends and colleagues, including Mary Tyler Moore, Andy Griffith, Dick Van Dyke, Carl Reiner, Ron Howard and Leonard himself.

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

A high level criminal attempts to enslave the world by thought control through TV.

A itinerant cinema comes to Rita’s small town and she has the opportunity to go to the movies for the first time in a long time.

OUTATIME... tells the incredible comeback story of the world's most famous movie car - the DeLorean Time Machine from Back to the Future. Plagued by souvenir hunters, rats, and the elements, this cinematic icon seemed destined for the junkyard. Out of Time... chronicles the efforts of Back to the Future Co-creator / Producer Bob Gale, Universal Studios, and the trilogy's dedicated fan community as they tirelessly work together to bring the Time Machine back to life. OUTATIME is, at its core, a wonderful love story depicting the devotion of our fans to our movie trilogy as represented by what is arguably the most famous movie car of all time.

A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.

Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

For more than 30 years, Lucille Ball was one of the most recognized and loved entertainers in the world. Known to all simply as Lucy, she portrayed a scatterbrained housewife with the ability to turn simple chores into humorous disasters.

Sammy Hogarth, a vaudeville comedian who now has his own TV show, is a ruthless egomaniac who demands instant obedience from his staff and heaps abuse on those in lesser positions than his. His most vituperative behavior, however, is reserved for his weak-willed brother, Lester, whom Sammy has hired as his assistant but whom he really uses as his whipping boy.

Professor Ludwig von Drake plays a variety of popular music, all of which he wrote. First, ragtime: the Rutabaga Rag, with vegetables dancing in stop-motion. Next, the Charleston, with cut-out animation of a singer and dancers. Dixieland and more cut-out animation; the crooner/love ballad; 50's doo-wop; and finally, rockabilly.