Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.
Rumba Tres, de ida y vuelta
Razões Africanas
The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960
In this Pete Smith Specialties short, two professional dancers beautifully demonstrate the rumba and conga while actors humorously display some incorrect techniques for those dances.
A bored society girl sets her sights on a dancer in a Broadway show.
Juan Jose Moreno Cuenca, alias the Heifer, is 23 years old and tells his story as a criminal offender from 1 Ocaña Toledo. Fatherless, the offender has his childhood and how everything changed when her mother went to prison.
Matthew Polly analyzes the film and its impact
A vast, snow-covered forest, untouched by human presence. Two men cross it, bags on their backs, cross a frozen river and finally arrive at the peatland, a vast white expanse. For years, Yves the painter and Olivier the photographer, have traveled the world, meeting wildlife from one pole to the other, privileged and concerned witnesses to the fragile beauty of the planet. But the two men share a common dream: to see a wolf pack live, grow, and spread out. One day, their search leads them to a hideout in no-man's-land between Iceland and Russia, a place conducive to a different temporality. The wait begins. Over the seasons, they will stand there in these eight square meters of wood, silent amid an unchanging scenery, until they gradually become part of the “picture” and immerse themselves in the life of the wolves. A motionless adventure...
L'Olympia, du rêve à la scène
After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.
Umoja - Wo nur Frauen das Sagen haben
Sunspot (2023) shows two lives and two observatories, one in Los Angeles, one in Tokyo. Using archival imagery, the film tells the tale of two sunspot observers both making drawings of the same sun on the day the Hiroshima bomb killed 100,000 people on August 6th, 1945. The film reflects on the forms and uses of light, from the light reflecting in a mirror to look at the sun and into space, the white hollow light of the bomb, and the light shone through the old film footage to create the image we see now. The huge wildfire that threatened Los Angeles’ Mount Wilson Observatory becomes a mirror of the huge clouds and destruction from the atomic bomb.
Drama, closure and rekindled flames collide as cast members from past seasons of "Love is Blind Brazil" come together in this special reunion episode.
Our National Parks takes you on a journey through the four seasons and the many faces of our scenic national parks. Experience an array of lands and waters from Alaska's glacier-clad Denali to the turquoise coves and coral reefs of the Virgin Islands; from the fire of Hawaii Volcanoes to the coolness of Kentucky's Mammoth Cave; from the moonscapes of South Dakota's Badlands to the granite shores of Maine's Acadia. With award-winning filmmaker Wolfgang Bayer you get an in-depth tour of nine of the most popular national parks plus a seasonal overview of many more.
Der Stolz der dänischen Flotte – Die Gribshunden
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
The walker with the shaved head and dressed in a red robe is barefoot. He walks slowly but determinedly through the forest, over stones and grassland. He also makes his way through the shadows of trees and houses. He sets foot in the train station, the church and the museum. The sun rises and sets again. The walker passes through Washington, D.C. Another stranger is also on the move in the city. We are unsure whether or not he is following the walker.
Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.
Siegfried "Siggi" Trzoß, a radio moderator from East Berlin, is working tirelessly leading up to his anniversary and 900th show. The music his heart burns for is East German Schlager, a genre politically ignored at first and widely forgotten now. But Siggi keeps the dream alive to this day, making the hearts of seniors jump higher in nostalgia all over east Germany.