Five portraits of the Maidan

Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.

In February 2014, paramilitary groups fought against the police in the streets of Kyev and ousted President Yanukovych. They settled a new government. According to western media, they were the revolution heroes. But they are actually heavily armed extreme-right militias. The Right Sector, Azov or Svoboda created parallel irregular forces that easily go out of control. In Odessa, in May 2014, they were responsible for burning 45 people to death without facing any charges. How come western democracies haven’t raised their voice in protest? Most likely because these Ukrainian nationalist militias actually played a significant role in a much larger scale war. The Ukrainian revolution was strongly supported by the US diplomacy. In the new cold war that opposes Russia to the USA, Ukraine is a decisive pawn. A tactical pawn to contain Putin’s ambitions. “Ukraine, masks of the revolution” by Paul Moreira sheds light on this blind corner.

A Russian-backed conspiracy film produced by Oliver Stone, framing the Euromaidan protests and the ouster of Viktor Yanukovych as a Western-engineered coup.

Revolutions on Granite is a documentary about Maidan Nezahlezhonsti, a public square in the heart of Kyiv, Ukraine — famously home to a number of political revolutions, but also the birthplace of a cultural revolution after the fall of the Iron Curtain. The film takes a look at the burgeoning skateboard scene at Maidan in the early 1990’s, and investigates the idea of a counterculture being created in a place of strict uniformity.

The film collects the memories of five different people about the events on the Maidan. Among them are the stories of the mother of Roman Huryk, who was killed on Maidan, Radio Liberty correspondent Andrii Dubchak, artist Oleksii Sai, human rights activist Sasha Matviichuk, and Andrii Prepodobnyi, a former police officer and now the regional representative of the Ukrainian Parliament Commissioner for Human Rights in Rivne region. ‘MAIDAN. Six letters of our freedom’ consists of six chapters. Each letter of the word ‘Maidan’ is the title of a chapter, which symbolises a topic related to the events of the Revolution of Dignity, the memories shared by the film's characters.

Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder

A short film honoring the 21 Coptic men martyred by ISIS in Libya in 2015, produced in the style of Coptic iconography by a global team of more than 70 artists from more than 24 countries. The film is narrated in English, with Arabic dialogue. Subtitles have been produced in English, Arabic, French, Spanish and Russian.

French YouTuber Inoxtag challenges himself on a survival adventure on a deserted island.

The film "Artyom Tomilov" tells the story of a modern-day Odysseus with an ironic and elegiac tone. Theater director Artyom Tomilov, who grew up in the marginalized outskirts of Omsk, returns to his hometown after 15 years to stage an autofictional play about himself. The events unfolding during the production become part of the play, alongside the myths, spirits, and memories of the hero's past and the people of Omsk.

This documentary is about 12 French teenagers (ages 10 to 15) who sail a large sailing ship (with the help of two or three adults), following the same course Columbus followed from Spain to the Yucatan Peninsula, with stops at various Caribbean islands.

The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.

Celebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

This special is hosted by Patrick Stewart and traced the history of Star Trek from its inception with "The Cage" through to Star Trek IV: The Voyage Home and the first season of Star Trek: The Next Generation. It also showed brief previews of Star Trek V: The Final Frontier and TNG's second season. Also it was principally a container for the premiere of a full color print of "The Cage" which had, according to the special, recently been recovered from Paramount's studio archives.

TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.

On the death of HM Queen Elizabeth II, a special documentary featuring contributions from HM King Charles III, her children, public figures, and those who worked with her. With previously unseen archive footage from the Queen's collection.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

The «Eye of God» is dedicated to the 100th anniversary of the Pushkin Museum. It shows how progressive and pro-West Russians can be, when it comes to comprehending the essence of beauty. Ivan Tsvetayev, a village priest's son, the founder of the museum, wanted the new generation of "Ivans" to understand that we are Europe, while Antiquity is our mutual cradle.

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?