Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder
Chronicles April 2014 Ukrainian protests against Russian occupation intentions in Donetsk, Ukraine.
Chronicles a Ukrainian march in Donetsk, that happened in solidarity with Euromaidan in November 2013, despite threats from pro-Russian forces.
Revolutions on Granite is a documentary about Maidan Nezahlezhonsti, a public square in the heart of Kyiv, Ukraine — famously home to a number of political revolutions, but also the birthplace of a cultural revolution after the fall of the Iron Curtain. The film takes a look at the burgeoning skateboard scene at Maidan in the early 1990’s, and investigates the idea of a counterculture being created in a place of strict uniformity.
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
The film collects the memories of five different people about the events on the Maidan. Among them are the stories of the mother of Roman Huryk, who was killed on Maidan, Radio Liberty correspondent Andrii Dubchak, artist Oleksii Sai, human rights activist Sasha Matviichuk, and Andrii Prepodobnyi, a former police officer and now the regional representative of the Ukrainian Parliament Commissioner for Human Rights in Rivne region. ‘MAIDAN. Six letters of our freedom’ consists of six chapters. Each letter of the word ‘Maidan’ is the title of a chapter, which symbolises a topic related to the events of the Revolution of Dignity, the memories shared by the film's characters.
In February 2014, paramilitary groups fought against the police in the streets of Kyev and ousted President Yanukovych. They settled a new government. According to western media, they were the revolution heroes. But they are actually heavily armed extreme-right militias. The Right Sector, Azov or Svoboda created parallel irregular forces that easily go out of control. In Odessa, in May 2014, they were responsible for burning 45 people to death without facing any charges. How come western democracies haven’t raised their voice in protest? Most likely because these Ukrainian nationalist militias actually played a significant role in a much larger scale war. The Ukrainian revolution was strongly supported by the US diplomacy. In the new cold war that opposes Russia to the USA, Ukraine is a decisive pawn. A tactical pawn to contain Putin’s ambitions. “Ukraine, masks of the revolution” by Paul Moreira sheds light on this blind corner.
A Russian-backed conspiracy film produced by Oliver Stone, framing the Euromaidan protests and the ouster of Viktor Yanukovych as a Western-engineered coup.
The history of Latin jazz in Cuba from the Orquesta Cubana de Música Moderna to Irakere.
Agustí Fernàndez: Los Dedos Huespedes
Jim Marbrook, director of Mental Notes and the original Dark Horse doco, takes us inside the long environmental campaign that followed the pollution of traditional Kanak fishing grounds in New Caledonia in 2008.
This is a documentary of interviews with music journalists and Jam fans, and including clips from the following tracks: Town Called Malice In The City All Around The World The Modern World A Bomb In Wardour Street David Watts Down The Tube Station At Midnight Eton Rifles Going Underground That's Entertainment, ... Plus More
In 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though there were no technologies available at the time capable of fully restoring such badly damaged film elements, the Academy Film Archive held on to them. And now times have changed.
Contemporary artist Gillian Wearing celebrates the legacy of Victorian novelist George Eliot. Just as Eliot’s novel Middlemarch explored the lives of ordinary men and women, this experimental film is made up of a diverse cast of people from different backgrounds.
An old wooden house, surrounded by walls and guarded by angry soldiers, and a director, Micol Roubini, who tries to enter this place. It's not just any place for her. That house looks a lot like one he saw in an old photo from 1919: the one built by his grandfather, and then abandoned by him to escape persecution against Jews during World War II. We are in Jamna, a small country in the west of Ukraine that is now independent. The guards prevent anyone from passing, and no one knows why. And the inhabitants of the country are of almost no help.
This documentary looks at the culture of Japanese horror, which has a history of over 1000 years. The Japanese have always recognised the presence of the dead as an integral part of their daily lives. In the program, Japanese filmmakers, Hollywood producers and scholars talk about the traditions of horror in Japanese writing from the past, which often featured demons, hell, vengeful spirits and other supernatural entities.
Poses the question of whether Judaism in the United States is declining through intermarriage, conversions, and dissatisfaction with the religion's stricter codes.
Dive into an epic journey with Simon Lorenzi, a climber who made history by opening the world’s second 9a boulder. After overcoming various injuries, Simon returns to the limelight to take on a new and equally ambitious challenge.
The Most Expensive Wine in the World
Documentary charting the rise, fall and meteoric rise again of superstar British boy band Take That. Originally aired on 4th February 2009 on Britain's Channel 5.