I Don’t Like My Car Anymore

An aspiring actor whose career is in the dumps, exploits his amazing bowling skills to take the PBA by storm and becomes rich and famous, only to lose his best girl and best friend...

A pair of criminals seeking a fresh start are intervened by their boss, who takes one of them hostage to force a final job. Vincent and Maya decide to escape their gang and settle for a peaceful life, but they are trapped into one last hit with hidden agendas, betrayals, and unexpected alliances. Last Hit is a high-stakes, action-packed thriller about redemption, betrayal, and the ultimate cost of freedom. Vincent and Maya decide to escape from their life of crime when their boss, Dante starts blurring the lines between heists and hits. During their last job they realize they've walked into a setup orchestrated by Dante himself. This trap pushed Vincent and Maya to the firm decision to walk away from the gang.

Told in reverse chronological order, an aspiring drag queen creates a world out of desolated motel rooms with the guy he met online.

In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.

Artistic lovers, Viv and Jay, have become trapped in a vicious cycle of codependent heroin addiction. But when Viv’s wealthy parents hire an interventionist to take Viv to rehab, the couple decides to set off on their own with the help of a suboxone prescription... all they have to do is survive a harrowing night through drug withdrawal.

A couple's relationship falls apart under the pressures of city life and their personal demons. Can they work through their issues, face their fears and realise they are meant to be together?

Teenager Jones has opted not to go to college and is instead renting a room in a boarding house to work on his writing skills. Soon, Jones finds himself dividing his time between two women: a young actress named Lisa and a photographer named Jane. After Jane's ex-boyfriend arrives to help her recover from a car accident, Jones begins to understand just how much he cares for her.

The porn star Moon spends her time working, nursing her widowed father that has Parkinson disease and with her friends Jessie and Martine. Her boss Aronson gives a new contract to Moon to be signed. Moon has a blind date with Jessie's friend Kip and they feel a great attraction for each other. When Jessie asks Moon to test the fidelity of her boy-friend, Moon decides to offer the service to other customers. But when she meets the dangerous Terry, she reevaluates her life and her relationship with Skip.

Four friends search for love and happiness while working at a California sandwich shop.

Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.

A lovers are on their way to fulfill their vacation list. But 4 years of relationship is not a guarantee of a pair of fateful love for each other. Who would have thought that this trip would be their last trip together?

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Penniless man-about-town Michael Gore-Brown is delighted to hear he has been left a high-class Mayfair fashion salon. His intention is to sell it as quickly as possible, but on meeting Ellen, chief designer and manager, he quickly changes his mind and turns his attention to courting her.

The beginning of the end and the end of the beginning

An offbeat romantic comedy about a decent guy, Ray Tuckby, with a dead-end life in the dead-end town of Trona, CA. After encouragement from a stranger whom he happens upon, Ray begins to dream again. He sheds the parasites in his life, musters the nerve to pursue his childhood love, and finally takes back his community by toppling the local teenage Meth-baron.

Lt. Franta Slama is a top pilot in the Czech Air Force who is assigned to train a promising young flier, Karel Vojtisek, and they soon become friends. When Nazi Germany invades Czechoslovakia in 1939, they both reject the authority of their new leaders and escape to England where they join other Czech exiles in the RAF. While flying a mission over England, Karel crash lands and happens upon the farmhouse of Susan, a young woman whose husband is in the Navy. Karel soon falls head over heels for Susan but, while they enjoy a brief fling, in time Susan decides she prefers the company of the older and more worldly Franta. As Franta and Karel struggle to maintain their friendship despite their romantic rivalry.

Holly is tired of moving every time her mom Jean breaks up with yet another second-rate guy. To distract her mother from her latest bad choice, Holly conceives the perfect plan for the perfect man, an imaginary secret admirer who will romance Jean and boost her self-esteem.

After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.

Bethany and Sam are friends with a brewing romance that is long overdue. With the making of a student film together over Halloween, this romance becomes realised. However, with this new proximity to Sam, Bethany begins to peel away the layers of a potentially very troubled person.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.