On a night that promised to be filled with games and bonding, Eva and Bianca, two 15 year old friends, decide to escape their routine to test the limits of adolescence. Between borrowed heels, nervous laughter, and a bar full of strangers, Eva discovers the vulnerability of growing up too fast, facing loneliness and the loss of innocence.
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In early 1990s Spain, eleven-year-old Celia lives with her mother and studies at a convent school in Zaragoza. When Brisa, a confident new classmate from Barcelona, arrives, Celia is drawn into a world that challenges the strict religious teachings and sheltered life she has known. Their friendship pushes her to confront hidden truths at home and the uncertainties of adolescence, leading her to explore questions of identity, independence, and belonging.
The 12-year old Dolores, a feisty preteen desperate to be seen as a grown-up in 1976 suburbia is on her humiliating, hilarious journey from girlhood to growing up. She fantasizes about sex, womanhood, work... and Freddie Prinze. The girl thinks she's got the lowdown on being a woman, but when her overworked single mom Janice hires Cleo to babysit her world collides with the super cool black 16-year old's, each learns painful truths about what it really means to grow up.
On a hot summer day in the countryside, Ines, a young teenager, gets involved in a friendly ball game between boys her age, and among them Malik, the one she has a crush on.
First Bi-lingual movie made in Odia & Bengali. Bengali version name was "Pana Raksha". Produced with a budget of Rs. 64,000, the Odia movie was a hit however the Bengali version was unsuccessful.
When Girly Pop thinks she's finally faced her anxiety and managed to poop in a public toilet everything goes bad...
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
A girl’s 20th birthday party gets ruined when she discovers her boyfriend’s secret.
Norstein conquered the world 36 years ago with the creation of the legendary Hedgehog in the Fog. It was recognized as the best cartoon of all times and peoples according to a survey of film critics and animators from different countries.
Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.
Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
The story follows Iris at three points in her life: childhood, adolescence, and adulthood. Divided into three chapters, the narrative adapts the tales of The Bremen Town Musicians, Little Red Riding Hood, and Cinderella to explore, at ages 10, 16, and 26 respectively, how the environment of each life stage influences her personality and perception of the world.
As she starts seventh grade, Amelia (12) faces new insecurities and social norms. To fit in, she tears away parts of herself, until they take shape as a creature that forces her to confront everything she tried to leave behind.
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.
Arpejo
“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.
Two girls share a room at the university and soon discover that living together is much more difficult than they thought.
Reyhan, raised in a religious family, arrives to spend her summer holidays at her grandmother Ummu's house in a conservative central Anatolian village, accompanied by her mother Hatice, and her 6 year old brother Mehmet. The 13 year old is gripped by a state of inner turmoil. She has just had her first period and dreads the consequences of being unable to perform the required religious rites. Reyhan's concerns mount after she finds out the water supply at her grandmother's village house is cut off. She is desperate to find a way to perform the required religious ablution rites, which she has always been told will protect her from attacks by djinns and facial disfiguration. She starts having nightmares. At the same time, Reyhan is also determined to help Şükran, her best friend in the village.