Black Power is Green Power

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

An examination of the Black Power movement in the late 1960s in the UK, surveying both the individuals and the cultural forces that defined the era. At the heart of the documentary is a series of astonishing interviews with past activists, many of whom are speaking for the first time about what it was really like to be involved in the British Black Power movement, bringing to life one of the key cultural revolutions in the history of the nation.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.

A collection of three short “video haikus” by Chris Marker. Yanka / Tchaika observes the Seine beneath a bridge; Owl Gets in Your Eyes features Catherine Belkhodja with an owl superimposed in flight; and Petite Ceinture pays homage to the Lumière brothers by filming empty train tracks along Paris’s disused railway.

Examines the evolution of the Black Power Movement in US society from 1967 to 1975. It features footage of the movement shot by Swedish journalists in the United States during that period and includes the appearances of Angela Davis, Bobby Seale, Huey P. Newton, Eldridge Cleaver, and other activists, artists, and leaders central to the movement.

Silvia needs to get rid of a rat that has invaded the kitchen where she works while dealing with the growing abuses of her boss Suzana.

FALL

a haiku films, a poem by Nha Thuyen

Haiku 27

In the deep corners of the night, something is always lurking. Even in the bustling night life of a college campus.

A poet and a spirit have an ongoing deal: Haiku for life.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

In response to the Detroit riots of 1967, where racial tensions in the city reached a breaking point, the city decided that the way to resolve these tensions would be to put more resources into employing Black people. Namely, chronically unemployed Black men who they refer to as "the hardcore." And predominantly, employing them on the line in auto assembly plants. But in the words of Lloyd Love, a young Detroiter interviewed in the film, this PBS documentary poses the question, "Do you think a job is the answer?" The film explores this question in 1968, by speaking with workers, unemployed people, union activists, students, people who implement city-run employment programs, members of DRUM (Dodge Revolutionary Union Movement), and the Detroit Industrial Mission.

After nearly three years living in Japan, Fergus Gregg finds himself struggling to bid farewell to this beautiful country. On a journey tracing the path of his hero, the poet Matsuo Basho, Fergus decides to trek the northern landscapes of Tohoku. As he travels, he encounters more than he bargained for - facing setbacks, meetings with traditional hunter-gathers, and dances at northern Japan's largest Summer festival. Join Fergus Gregg on his 'Road to the North'.

Twelve shots, four sequences. Each of them will try to evoke a feeling, a sensation, an idea, a landscape… just like the iconic and transcendental Japanese poems known as “Haiku”.

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

Courtesy of The Freedom Archives 1972, 28 min. This extraordinary video is from a 16mm film “work print” made in 1971–1972, and includes interviews with George Jackson, Georgia Jackson (George and Jonathan Jackson’s mother) and Angela Davis, while she was still in the Marin County Courthouse Jail, before her acquittal. We have not been able to identify the other prisoners. As you will see, the film has no titles or other credits. The discovery of such amazing, previously unknown historic materials always leaves us thrilled and in awe, deepening our understanding of those times and affirming the mission of the Freedom Archives.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.

"he gasps for a breath entwined, then on their back rests, eyes gaze at the sky".