MIMIC

The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.

After agreeing to work as a hitman for a dangerous mafioso, Simon faces a moral dilemma when he rescues a man, who happens to have a shocking story to tell.

Bill Cannon (Dan Duryea) loses everything to alcohol: his job, his family, his self-respect. Soon after his wife and daughter leave him, he receives word his little girl has been injured in a car accident outside Chicago. His wife will call later with news, but Bill’s short the $53 he needs to keep his phone from being disconnected. Filled with anguish, he heads out onto the Los Angeles streets to find some way to come up with the cash. As his character encounters expected cruelty and unexpected kindness, Duryea takes what might have been mere melodrama and turns it into a perceptive examination of one shattered soul. The other fine star of this race-against-the-clock programmer is an unglamorous, lunch-bucket L.A. rarely captured on film.

Margaret Ross is an impoverished old woman who lives alone in a seedy apartment and enjoys a rich fantasy life as an heiress. One day she discovers stolen money hidden by her son and believes her fantasy has come true.

After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.

Years ago, the young Five Fingers fought for the rural town of Marseilles against brutal police oppression. Now, after fleeing in disgrace, Tau, one of them, returns to Marseilles, seeking only a peaceful life. When he finds the town under new threat, he must reluctantly fight to free it.

Childhood trauma and religious repression causes little boy to grow up and murder .

A dream induced by the intrusive thoughts of a cost-of-living sufferer.

Men and women caught up in a downward spiral of corruption, discrimination, poverty and death are the focus of this detective-thriller/social-drama inspired by the unsolved 1984 kidnapping of a Japanese candy company president.

On the hottest day of the year, an unknown virus spreads throughout inner-city Philadelphia. The infected victims, crazed by dehydration, begin attacking other residents of the neighborhood in gruesome ways. When the military is brought in to contain the situation, but realize they can't come up with a vaccine quickly enough, they fence off the area and let everyone die. A group of locals, stuck in the basement of their building, behind the fences, and separated from their family members, band together to try to survive.

Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.

Nun Nancy follows the heartfelt ministry of a passionate woman of God that served the inner city of Baltimore, Maryland disguised as a bartender so that she could more effectively share God's love to the drunks and prostitutes.

An Irish Catholic family returns to 1930s Limerick after a child's death in America. The unemployed I.R.A. veteran father struggles with poverty, prejudice, and alcoholism as the family endures harsh slum conditions.

Son Hak-su (Kim Seung-ho) is a middle school teacher who barely gets by on his income because he's paying off a monthly mortgage for his welfare housing facility sold by the government. One day, Mr. Son and his wife make the acquaintance of a U.S. immigrant Charlie Hong (Heo Chang-kang) who is engaged in the smuggling business.

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.

Set in Isaan, this is the story of a mother who struggles to lead her needy family through seemingly endless hardships and pressures. To help the family survive, the father endures greedy capitalists who heartlessly take advantage of him and his family, forcing him to slave at the harvest of an infertile field. That is until he loses both his arms. Then all the burdens fall on the mother: bread-winning, taking care of her crippled husband and raising the kids, all amid external pressures from drought to vile businessmen.