NEO-VIBE

Inspired by the powerful true story of the Igbo Landing of 1803, where a group of enslaved Africans chose the ocean over slavery. This poetic film follows African freediver Tatiana Mendes as she confronts her own inner turmoil beneath the surface. Through the discipline of freediving, she dives into more than just water. She descends into inherited trauma, ancestral memory, and the quiet violence of modern life.

What advantage does space travel bring to mankind? A father and his son search for answers during a walk in the forest.

Garnetta Cromwell, a blues and soul musician of african descent has a lifelongdream of becoming a professional blues singer. Even though she had temporary deafness atthe ripe age of 5 from lying on the floor and putting her ear to the speaker so she could listen toAretha Franklin’s voice, she didn't see it as an obstacle but instead as a revelation that singingis her calling. Garnetta wants the world to hear her voice. She wants to promote and inspire theyounger generation of blues artists regardless of their race or gender. But as we all know, theworld always has something different planned for us.

This short documentary delves into the last week of training camp for Jean Pascal, ex-light heavyweight world champion at 41, who aspires to become the best in his category again.

Two long-time friends, Makahi and Yannick, reflect on their respective journeys as artists in different disciplines—visual arts and music production. The two delve into their experiences as young Black artists in Ottawa, sharing insights into their paths and creative growth.

This short film tells the deeply personal and emotional journey of a father who made the life-altering decision to immigrate to Canada from Congo with his family. Narrated from his perspective, it dives into the challenges and obstacles he faced while fleeing his home country.

Nestled in Parkdale, Toronto, West Lodge Apartments stands as a testament to endurance and hardship. This film delves into the lives within these walls, from the battles of disrepair and crime to the inspiring solidarity in the face of adversity. Built in 1964, follows the journey of West Lodge's transformation from a symbol of struggle to a beacon of hope, as residents and new investments reshape their shared future.

Exiled after Haiti’s political struggles of the 90s, Mikerlande—a former activist and now entrepreneur—rekindles memories of resilience and commitment. Through griot, she shares a story of struggle, legacy, and strength, bridging past and present to preserve her heritage.

The mourning has passed, it is not time to lament, but to celebrate, to wait for the rituals to work and for our dead to come, but how will they know the way if it is increasingly diffused?

This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.

Jess joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate.

The 6th short film as part of the Magica series dealing with pre-cinema. Featuring demonstrations of magic lanterns by children.

Moo mourns her deceased friend, so Yuu decides to create a new companion for her. Their adventure fails, but they discover they have built a new friendship during the journey.

The 8th short film as part of the Magica series dealing with pre-cinema. Fictionalised documentary about Emile Reynau who invented the praxinoscope and its system of central mirrors. He then projects his paper strips into the projection praxinoscope before creating the Théâtre Optique, presented at the Musée Grévin. The perforated strips are fragile and often break. The show is cancelled. Reynaud tries to apply photography to his praxinoscope, but without success. Desperate and ruined, he throws his strips into the Seine. Only two survived.

The 2nd short film as part of the Magica series dealing with pre-cinema. In the 18th and 19th centuries, optical views were shown in optical boxes with magnifying lenses. The showmen organised a real spectacle, with a barker, music and sound effects. The views played with light (transparencies, perforations). A series of engravings shows the public's enthusiasm for these shows. The second part of the film is a reconstruction of such a show. First, there are views of Paris, Venice, Constantinople and Versailles, followed by various disasters: plague, floods, fires and shipwrecks.

Manatsu and her friends receive an invitation to a dance party from the Healin' Good♥Pretty Cure team, however it starts in just three minutes. They head out for "Dancing Island" with great haste, but unexpected things occur. Will the Tropical-Rouge! Pretty Cure team safely arrive at the dance grounds and Tropica-shine while dancing with the Healin' Good team?

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A long-haul trucker turns to YouTube to combat loneliness and social isolation. Under the handle “MsDivaTrucker43,” she discovers a supportive community of women who share her struggles of life in the margins. It is difficult for women in an industry that is 96% male to see themselves succeeding. Tamara's words of wisdom and encouragement offer women a model and a path forward.

Sun Scream tells the comedic tale of a down-on-his-luck vampire named 'Pippin', and his last-ditch efforts to sell at least one bottle of sunscreen before facing the wrath of his ferocious boss 'Cy the Cyclops'. Luckily for Pippin, the truck of an extremely sunburned farmer breaks down in front of his stall on the hottest day of the year. However, 'Billy' ain't no bumblin' yokel, and Pippin will have to do everything in his power to prove his product will protect anyone, even a vampire, from the sun's deadly rays.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?