Sons of Football - Ramang The Man, The Myth, The Legend

Originally a home video never intended for public viewing, this film captures the final chapter in Roger Federer's legendary tennis career, featuring Roger, his family, and his three main rivals: Rafael Nadal, Novak Djokovic, and Andy Murray.

Ronnie Coleman is known as "The King" and for good reason. He is the 8x Mr. Olympia champion in the world of bodybuilding - sharing the world record for most Olympia wins. Now retired, he has undergone over 6 surgeries leaving him unable to walk without crutches but his desire to train like a pro bodybuilder has not dissipated. Exploring the history of his career as a bodybuilding legend and following his journey to recovery; for the first time ever discover the true man behind The King.

Dans la voie, Portrait d'un guide au travail

Sons of Football - Boaz Solossa, Mutiara Hitam Dari Timur

Sons of Football - Herry Kiswanto, The Living Legend

Partition Libre - Sur Les Traces De Patrick Berhault

To many in the bodybuilding world, Calum von Moger is seen as the future of the sport. A two time Mr. Universe champion who has proven himself to have one of the greatest physiques currently on the professional stage; Calum was catapulted into social media stardom. Known for his resemblance to Arnold Schwarzenegger and dubbed Arnold 2.0. But a sudden and tragic bicep tear brought his training and goals to a grinding halt. Losing dozens of pounds of muscle and unable to train until fully recovering – Calum was forced to reassess his bodybuilding path and find a way to fight back up to the top. Calum von Moger: Unbroken chronicles his rise, fall, and now recovery as he moves into a promising career in television and film. Showcasing a man with an indomitable will that overcomes all the hurdles in his path and taking him to a place that both skeptics and doctors thought was impossible.

A documentary about a small touristic village in Algarve, Southern Portugal.

10 January1946, the antennae of Camp Evans emit a short signal with very great power towards the Moon. A little more than two seconds later, they capture a slight echo. This was the first success for Project Diana, two years after its launch. Giving form(s) — in all the senses that this term may include — to what is invisible is at the heart of Simon Ripoll-Hurier’s practice. From amateur radio operator clubs to ghost hunters, from bird watchers to the drums that could send signals on battle fields, the challenge here is to successfully establish contact with a distant, absent being, by using much more mysterious means than those inhabiting our daily lives. So, although the machine appears in diverse forms, the challenge is probably more linked to the immaterial, to the silence or to the background noises that constantly disturb the efforts and attempts

After the passing of her mother, Lorena finds the diary that she kept all her life. The entries allow her to discover a different woman. Having grown up in the worship of her father who fought as a partisan during the war, Lorena realises that she must start digging in the secret story of her mother if she wants to understand aspects of her own life. The pages of the diary feel like a book from another time. Working as a nurse, her mother was covertly working for the partisans passing them intelligence that she astutely acquired from wounded German soldiers by administering more morphine than usually required to ease the pain.

Because of her age and fragile health, an old Russian lady has to share her apartment with her niece and four grandchildren. At every moment, the calm she enjoyed, her fine family keepsakes, and also her beloved piano, are in danger, under the impetus of the wild energy of the kids. The two worlds, forced into cohabitation, could not be more distant from each other: on one side, what remains of an affluent class, on the other, the “proletariat” as much in the literal sense as in the figurative one. A question hangs in the air: will the members of this family manage to find a place for each other in their hearts? This is a charming little documentary comedy, a one-room drama which, like a Russian story from the last century, is seen like a shadow of the world.

In the event of natural disaster, turn off electricity and gas, hide your valuable objects, lock the house, climb onto the roof, and maybe you will survive. Natasha, 12 years old, knows these instructions by heart. So, while waiting for the storm, she laughs and fights, suffers heartbreak, attempts to negotiate the purchase of a new swimsuit with her father. With zest and delicacy, with clear complicity with the body of her young heroine, Elizaveta Kozlova captures the details of a day-to- day life which, although ordinary, never seems insipid, so deeply is it infused with the contagious energy of the protagonist. And as the lines of contemporary Russian society and its problems are sketched out, In the Eye of the Storm reveals itself as the portrait of a character undergoing tremendous change.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

DEFA made several science fiction films that are hardly known today. These productions, called "utopian films" in the GDR, show astonishing technical achievements. ...Science fiction at DEFA was never a war of the stars, no alien invasion, but in most cases an establishment of contact with the alien via signals, a recurring plot motif. Communication instead of confrontation. These films provide information about the image of a coming socialist society, about expectations and hopes, and they were counter-images to the officially condemned Western SF art.

The director lost her three uncles. She returns to the cemetery where they are buried. Mixing super-8 home movies and 16mm travelling shots in the alleys of the cemetery, "We came back to chesnut tree avenue " is a tribute to their invisible presence.

Close-up on the story of a dream of actors, of a village of die-hards, of a breeding ground for talents: the Café de la Gare, founded the day after May-68.

Documentary revisiting the ‘76 Hoosiers and renowned coach Bobby Knight, who led his Indiana team to a perfect 32-0 season and a national championship.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Documentary about the making of Alfred Hitchcock's 'Frenzy'.

The film captures the environmental protection strike march in Lower Manhattan on Friday, September 20, 2019.