An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
A possible alien presence in a filmschool campus turns the unknown present in the life of its students.
Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.
The film takes a look at seven different twilight zones between the physical and virtual. We cannot escape from the grid but can we bend it from the inside?
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
Three characters unknown to each other, experience a supernatural entity slowly unveil itself.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.
An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.
Mit mívelt Isten
A concert film documenting a performance from the Houston artist Orpheus Von Doom.
Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
A short film on the obsessive nature of love. How far can we take our attachment and devotion to our loved ones?
In an increasingly virtual world, what are three rappers and a fan doing barricaded in a clothing store? If Andy Warhol were alive, he would say they are looking for their 15 minutes of fame, but what will we say?
A young artist is stalked via the internet by a mysterious online celebrity who harshly criticizes their artwork.
In an inner world suspended between oblivion and creation, a female figure moves through a dreamlike space where forgotten ideas take shape. Genesis is an experimental piece that explores the journey toward the origin of an idea — of oneself.
An expedition to a peculiar small town where even the swans swim backwards and water in puddles is antimatter.
Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.